Search results
Results from the WOW.Com Content Network
Mary Whyte (born 1953 in Cleveland, Ohio) is an American watercolor artist, a traditionalist preferring a representational style, [1] and the author of seven published books, who has earned awards for her large-scale watercolors.
The knowledge argument (also known as Mary's Room, Mary the Colour Scientist, or Mary the super-scientist) is a philosophical thought experiment proposed by Frank Jackson in his article "Epiphenomenal Qualia" (1982) and extended in "What Mary Didn't Know" (1986).
The Madonna of humility by Domenico di Bartolo 1433 has been described as one of the most innovative devotional images from the early Renaissance [35]. Catholic Marian art has expressed a wide range of theological topics that relate to Mary, often in ways that are far from obvious, and whose meaning can only be recovered by detailed scholarly analysis.
On November 23rd, 1936 Life was relaunched as the treasured picturesque magazine we know and love today. During its heyday the publication was full of images from the top photographers of their time.
White was born in 1926 in Croesyceiliog, Wales. From 1949 to 1950 she studied at Goldsmiths' College and in 1951 she married the painter Charles White (d.1997). She was made a fellow of the Society of Scribes & Illuminators (SSI) in 1962 [2] and later the Letter Exchange. [3] During the early 1970s White taught at Atlantic College, Glamorgan. [4]
Mary Lillian White later Mary Dening (22 January 1930 – 20 May 2020) was an English textile designer known for several iconic textile prints of the 1950s. [ 1 ] [ 2 ] Her designs were very popular and extensively copied in many 1950s homes, as well as in cabins aboard the RMS Queen Mary and at Heathrow Airport . [ 3 ]
Mary Lee Abbott (July 27, 1921 – August 23, 2019) [1] was an American artist, known as a member of the New York School of abstract expressionists in the late 1940s and 1950s. [2] Her abstract and figurative work were also influenced by her time spent in Saint Croix and Haiti , where she lived off and on throughout the 1950s.
A 1730 black and white edition of Metamorphosis – after her death the book was reprinted in 1719, 1726, and 1730. An occupational portrait of Maria Sibylla Merian (c. 1700, copperplate by Jacobus Houbraken from a portrait by Georg Gsell). Her status as a scientist is emphasised by the pile of books next to her.