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Examples of inclusio may be found in later rabbinic literature as well. Tosefta Makkot Chapter 3 opens and closes with statements regarding the designation of three cities of refuge. Homilies regarding Isaiah 32:20 appear at the beginning and end of tracate Bava Kamma Chapter 1. The opening homily of Leviticus Rabba 29 asserts that the fate of ...
A refrain (from Vulgar Latin refringere, "to repeat", and later from Old French refraindre) is the line or lines that are repeated in music or in poetry—the "chorus" of a song. Poetic fixed forms that feature refrains include the villanelle , the virelay , and the sestina .
Quoting out of context (sometimes referred to as contextomy or quote mining) is an informal fallacy in which a passage is removed from its surrounding matter in such a way as to distort its intended meaning. [1] Context may be omitted intentionally or accidentally, thinking it to be non-essential.
This section of the poem reflects the context of America's rising GDP from 1945 to 1960, [8] because women then began to substitute their female identities with commercial products due to consumerism. In a letter to her mother, Sexton wrote "my heart's desire is an electric mix-master with the orange juice squeezer on top."
Examples of such interlocking stanzas include, for example, the ghazal and the villanelle, where a refrain (or, in the case of the villanelle, refrains) is established in the first stanza which then repeats in subsequent stanzas. Related to the use of interlocking stanzas is their use to separate thematic parts of a poem.
[citation needed] Somewhat like American soul music, but with melancholy instead of funk, most ghazals can be viewed in a spiritual context, with the Beloved being a metaphor for God or the poet's spiritual master. It is the intense Divine Love of Sufism that serves as a model for all the forms of love found in ghazal poetry.
In linguistics, anaphora (/ ə ˈ n æ f ər ə /) is the use of an expression whose interpretation depends upon another expression in context (its antecedent).In a narrower sense, anaphora is the use of an expression that depends specifically upon an antecedent expression and thus is contrasted with cataphora, which is the use of an expression that depends upon a postcedent expression.
Verbal context influences the way an expression is understood; hence the norm of not citing people out of context. Since much contemporary linguistics takes texts, discourses, or conversations as the object of analysis, the modern study of verbal context takes place in terms of the analysis of discourse structures and their mutual relationships ...