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Jean Marcel Leroy was born in Amiens, [2] in the north of France. [3] He was given his first instrument, an accordion, at age 4 on Christmas Eve, 1933. [4] He learned to play piano [5] and studied music at a conservatory for two months, [6] during which he and several classmates formed a jazz band, which performed at the school and at public venues.
Perrey and Kingsley (known also as "Perrey & Kingsley" or "Perrey-Kingsley") was an electronic music duo made up of French composer Jean-Jacques Perrey and German-American composer Gershon Kingsley. The duo lasted from 1965 to 1967 and both are considered pioneers of electronic music.
The Amazing New Electronic Pop Sound of Jean Jacques Perrey is the sixth studio album by French electronic musician Jean-Jacques Perrey, released in 1968 on the Vanguard Records label. The penultimate song "Four, Three, Two, One" was made together with Billy Mure. The final track "Gypsy in Rio" is a homage to Spike Jones. [1]
Moog Indigo was released on the Vanguard Records label in 1970, being Perrey's fourth and final studio album to be released on that label. [14] [15] The album was followed by the single "Passport to the Future", which reached No. 20 on the Adult Contemporary (known at the time as Easy Listening) and No. 106 on the Billboard Hot 100.
Dana Countryman is an American electronic music composer, songwriter and performer notable for his sustained presence in the Seattle Pop scene [1] as well as his collaborations with French electropop artist Jean-Jacques Perrey.
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"Baroque Hoedown" is an instrumental by the duet Perrey and Kingsley (formed by the French Jean-Jacques Perrey and the German-American Gershon Kingsley).Original from 1967 album Kaleidoscopic Vibrations a follow-up to their previous 1966 album, The In Sound From Way Out!.
Jean-Jacques Perrey continued to perform live shows with the Ondioline until his death in 2016; he featured the instrument on his collaborative albums with musician Dana Countryman, The Happy Electropop Music Machine (2006) and Destination Space (2008), both issued on the Oglio label.