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[a] Sometimes they are written in the three-line, seventeen-syllable haiku form, although the most common type of death poem (called a jisei 辞世) is in the waka form called the tanka (also called a jisei-ei 辞世詠) which consists of five lines totaling 31 syllables (5-7-5-7-7)—a form that constitutes over half of surviving death poems ...
While death poems did not adopt any prescribed form as far as syllables, tone, and length were concerned (the ritual required flexibility, compared to most samurai rituals, like the tea ceremony, which were practiced with rigidity), it was usually required to be short, be pertinent, and invoke pathos in the listener. It did not need to rhyme ...
Enomoto Seifu (榎本 星布, 1732–1815) was a well known haiku poet. She was born into a samurai's family and received a good education. On becoming a widow she first mastered her poetic arts under the guidance of Kaya Shirao and then, following his death, she became a nun.
[6] [7] The Matsuo family was of samurai descent, and his father was probably a musokunin (無足人), a class of landowning peasants granted certain privileges of samurai. [8] [6] Little is known of his childhood. The Matsuo were a major ninja family, and Bashō was trained in ninjutsu. [9]
Haiku (俳句, listen ⓘ) is a type of short form poetry that originated in Japan. Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference.
Hattori Ransetsu (1654 – 1707) was an Edo samurai who became a haikai poet under the guidance of Matsuo Bashō. [ 1 ] R. H. Blyth considered Ransetsu to be Bashō's most representative follower.
A monument containing a haiku by Shiki, in front of Matsuyama Station. Shiki may be credited with salvaging traditional short-form Japanese poetry and carving out a niche for it in the modern Meiji period. [38] While he advocated reform of haiku, this reform was based on the idea that haiku was a legitimate literary genre. [39]
Hijikata Toshizō (土方 歳三, May 31, 1835 – June 20, 1869) was a Japanese swordsman of the Bakumatsu period and Vice-Commander (副長, Fukucho) of the Shinsengumi.As Vice-Commander, he served the Tokugawa Shogunate and co-led his group in its resistance against the imperial rule brought about by the Meiji Restoration.