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Jimmy Bain of Rainbow played a Gibson Thunderbird bass on the albums Rainbow Rising and Long Live Rock 'n' Roll. Pete Way used a Gibson Thunderbird bass during his tenures in Fastway and UFO. John Entwistle of The Who used various Gibson Thunderbird basses from 1971 to about 1976. His first bass was a non-reverse orange Thunderbird, and he also ...
Gibson's line of Thunderbird basses is rooted in the design of the Firebird, and uses even Roman numerals ("II" and "IV") to distinguish it. From 1965 to 1969, Gibson introduced "non-reverse" models after failing to achieve marketing success with the unusual reverse-body design.
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Thain primarily used a 1962 Fender Jazz Bass during his stint in Uriah Heep, though he also used a Gibson Thunderbird bass and a modified Fender Precision Bass. Thain's overdriven bass tone was often created using an Acoustic 360 bass amp from Acoustic Control Corporation. Thain chose to play finger style rather than using a pick.
Gibson introduced its short-scale 30.5-inch (775 mm) EB-3 in 1961, also used by Bruce. [32] The EB-3 had a "mini-humbucker" at the bridge position. Gibson basses tended to be instruments with a shorter 30.5" scale length than the Precision. Gibson did not produce a 34-inch (864 mm)-scale bass until 1963 with the release of the Thunderbird. [33]
With Gov't Mule, Allen usually played the Gibson EB series, particularly the hollow-bodied EB-2 and the solid-bodied EB-3. At times he played a Rickenbacker or Gibson Thunderbird. Ampeg SVT was his amp of choice most of the time. Epiphone posthumously released an Allen Woody Limited Edition Bass, a semi-hollow arch-top similar to the Rumble Kat.
The last image we have of Patrick Cagey is of his first moments as a free man. He has just walked out of a 30-day drug treatment center in Georgetown, Kentucky, dressed in gym clothes and carrying a Nike duffel bag.
The Epiphone Blackbird is the Epiphone Company's variant of the Gibson Thunderbird bass with a couple of differences. It still has the black hardware, a single on/off switch with no volume or tone knobs, a mahogany body with a flat-black finish, the normal Gibson Thunderbird bridge with an "opti grab" handle added, a 1.5" wide nut, and a similar (if not exactly the same) pickguard.
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