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The Sapir-Whorf hypothesis branches out into two theories: linguistic determinism and linguistic relativity. Linguistic determinism is viewed as the stronger form – because language is viewed as a complete barrier, a person is stuck with the perspective that the language enforces – while linguistic relativity is perceived as a weaker form of the theory because language is discussed as a ...
The strong hypothesis of linguistic relativity, now referred to as linguistic determinism, is that language determines thought and that linguistic categories limit and restrict cognitive categories. This was a claim by some earlier linguists pre-World War II; [ 3 ] since then it has fallen out of acceptance by contemporary linguists.
The concept of linguistic relativity concerns the relationship between language and thought, specifically whether language influences thought, and, if so, how.This question has led to research in multiple disciplines—including anthropology, cognitive science, linguistics, and philosophy.
The Sapir–Whorf hypothesis in linguistics states that the grammatical structure of a mother language influences the way we perceive the world. The hypothesis has been largely abandoned by linguists as it has found very limited experimental support, at least in its strong form, linguistic determinism.
Linguistic determinism proposes that language determines (or at least limits) the things that humans can think and say and thus know. The Sapir–Whorf hypothesis argues that individuals experience the world based on the grammatical structures they habitually use.
For example, one of the language families lacks nouns, while another primarily uses monosyllabic adjectives to describe objects. As the story progresses the books become more and better known to the world at large, their philosophy starts influencing the real world, and Earth becomes the ideal world described in the books.
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One of the earliest linguistic descriptions directing positive attention towards Whorf's claims that grammatical categories construed meaning was George Lakoff's "Women, Fire and Dangerous Things", in which he argued that Whorf had been on the right track when he claimed that a contrast in grammatical categories is a resource for a contrast in ...