Search results
Results from the WOW.Com Content Network
Concrete poetry relates more to the visual than to the verbal arts although there is a considerable overlap in the kind of product to which it refers. Historically, however, concrete poetry has developed from a long tradition of shaped or patterned poems in which the words are arranged in such a way as to depict their subject.
An altar poem is a pattern poem in which the lines are arranged to look like the form of an altar. The text and shape relate to each other, the latter usually giving added meaning to the poem itself. The text and shape relate to each other, the latter usually giving added meaning to the poem itself.
Later editions also make the poem's shaped intention clearer in a number of different ways. In the book's 5th edition (1638) an outline was drawn around the poem to emphasize the way in which the layout of the lines corresponds to the shape of an altar, [6] and more variations were introduced once publication of The Temple shifted to London.
However, this definition is not consistent with Lear's drawing, in which it is a ladle, nor does it account for the other "runcible" objects in Lear's poems. In other uses, a so-called runcible spoon is a fork shaped like a spoon, a spoon shaped fork, a grapefruit spoon (a spoon with serrated edges around the bowl), or a serving-spoon with a ...
Perception shifts from the general landscape to the particular image of the blackbird, shifting both poetic and perceptual focus so that background & scenery becomes foreground. The concrete object takes both visual and metaphysical precedence. Some readers see some reason to classify it as among the metaphysical poems in Harmonium.
Haptic poetry, like visual poetry and sound poetry, is a liminal art form combining characteristics of typography and sculpture to create objects not only to be seen, ...
Visual poetry is a style of poetry that incorporates graphic and visual design elements to convey its meaning. This style combines visual art and written expression to create new ways of presenting and interpreting poetry. [1] Visual poetry focuses on playing with form, which means it often takes on various art styles.
The stanzas, with their long third lines, are shaped like the Titanic and the Iceberg: there is more below the surface than above. The poem stresses the idea of two in 'twain', 'twin halves', 'sinister mate', 'two hemispheres', 'consummation', but there are an odd number, XI, of the strongly numbered stanzas because only the iceberg survives ...