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Compositions using the octatonic scale: Radiohead "Just" (1995). Jonny Greenwood plays a series of OCT02 scales on the guitar during the intro (0:06-0:16) and each chorus (0:55-1:05, 1:44-1:55, 2:47-3:09) [1] Béla Bartók; Harvest Song (Ara táskor) Violin Duo # 33. Frederic Chopin; Ballade No. 1 in G Minor, Op. 23 : (bars 130-132)
Terz guitar (Terz meaning third) refers to either a small sized classical guitar or to the practice of tuning a standard guitar a minor third higher than standard guitar tuning (as though a capo were on the third fret of the guitar). The scale length is generally 530 mm (20.8 inches), though sometimes as long as 560 mm (22 inches).
The romantic guitar eventually led to a different type of guitar in Spain: the fan-braced Spanish guitars of Torres, which may be seen as the immediate precursor of the modern classical guitar. In the 20th century, many non-guitarist composers wrote for the instrument, whereas previously only players of the instrument had done so.
The classical guitar, also known as Spanish guitar, [1] is a member of the guitar family used in classical music and other styles. An acoustic wooden string instrument with strings made of gut or nylon , it is a precursor of the modern steel-string acoustic and electric guitars , both of which use metal strings .
Music prior to the classical era was often composed for performance on various combinations of instruments, and could be adapted by the performer to keyboard instruments, the lute, or the guitar. Since the beginning of the 20th century, however, a significant amount of music has been written for the guitar by non-guitarist composers.
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The Pythagorean scale is any scale which can be constructed from only pure perfect fifths (3:2) and octaves (2:1). [5] In Greek music it was used to tune tetrachords, which were composed into scales spanning an octave. [6] A distinction can be made between extended Pythagorean tuning and a 12-tone Pythagorean temperament.
In contrast, in the chord-scale system, a different scale is used for each chord in the progression (for example mixolydian scales on A, E, and D for chords A 7, E 7, and D 7, respectively). [5] Improvisation approaches may be mixed, such as using "the blues approach" for a section of a progression and using the chord-scale system for the rest.
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