Search results
Results from the WOW.Com Content Network
Gratias tibi ago, Domine Jesu Christe, de omnibus beneficiis quae mihi praestitisti; pro poenis et opprobriis, quae pro me pertulisti; propter quae planctus ille lamentabilis vere tibi competebat. Non est dolor similis sicut dolor meus. [26] [27] The statue of St Richard near the west door of Chichester Cathedral.
Mozart: Grosse Messe c-moll KV 427 is an 86-minute live video album of Wolfgang Amadeus Mozart's Christian vocal works Great Mass in C minor, Ave verum corpus and Exsultate, jubilate, performed by Arleen Auger, Cornelius Hauptmann, Frank Lopardo, Frederica von Stade, the Bavarian Radio Symphony Chorus and the Bavarian Radio Symphony Orchestra under the direction of Leonard Bernstein.
Gratias agimus tibi (Adagio: Chorus) Domine Deus (Allegro moderato: Sopranos I and II) Qui tollis (Largo: Double choir) Quoniam tu solus (Allegro: Sopranos I and II, tenor) Jesu Christe (Adagio: Chorus) Cum Sancto Spiritu (Chorus) Credo Credo in unum Deum (Allegro maestoso: Chorus) Et incarnatus est (Andante: Soprano I) Sanctus (Largo: Double ...
Short title: Gratias agimus tibi: Author: Ferenc Fricsay, Berlin Radio Symphony Orchestra, Chor der St. Hedwigs-Kathedrale Berlin, Maria Stader, Hertha Töpper, Ernst Haefliger, Ivan Sardi
As with other choral pieces the composer, Vivaldi, wrote many introduzioni (introductory motets) that were to be performed before the Gloria itself. Four introduzioni exist for these Glorias: Cur Sagittas (RV 637), Jubilate, o amoeni cori (RV 639) (the last movement of which is compositionally tied with the first movement of RV 588), Longe Mala, Umbrae, Terrores (RV 640), and Ostro Picta (RV 642).
The melody in neume notation " Gloria in excelsis Deo" (Latin for "Glory to God in the highest") is a Christian hymn known also as the Greater Doxology (as distinguished from the "Minor Doxology" or Gloria Patri) and the Angelic Hymn [1] [2] /Hymn of the Angels. [3]
The Missa solemnis in C major, K. 66, is a mass composed by Wolfgang Amadeus Mozart in 1769. [1] It is scored for SATB soloists and choir, violins I and II, viola, 2 oboes, 2 horns, 2 clarini (high trumpets), 2 trumpets and basso continuo.
For example, Gratias agimus tibi (We give you thanks) is based on Wir danken dir, Gott, wir danken dir [9] (We thank you, God, we thank you) and the Crucifixus (Crucified) is based on the general lamenting about the situation of the faithful Christian, Weinen, Klagen, Sorgen, Zagen [9] (Weeping, lamenting, worrying, fearing) which Bach had ...