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Mexican Spaghetti Western is a studio album by Robert Rodriguez's band, Chingon. Originally released in 2004 exclusively on the band's website, it became available in stores on April 10, 2007. The original non-digi-pak release of the album did not include the song "Cielito Lindo".
Chingon was formed by film director Robert Rodriguez to record songs for his 2003 film Once Upon a Time in Mexico.They contributed to Mexico and Mariachis, a compilation album from Rodriguez' Mariachi Trilogy, and released their debut album, Mexican Spaghetti Western, in 2007.
Rodriguez was born in San Antonio, Texas, the son of Mexican parents Rebecca (née Villegas), a nurse, and Cecilio G. Rodríguez, a salesman. [5] [6] He began his interest in film at age eleven, when his father bought one of the first VCRs, which came with a camera. [7] Robert Rodriguez (right) at the 1993 Atlanta Film Festival.
It should only contain pages that are Chingon (band) albums or lists of Chingon (band) albums, as well as subcategories containing those things (themselves set categories). Topics about Chingon (band) albums in general should be placed in relevant topic categories .
The most famous spaghetti Western is a stylish, flamboyant, visual treat, with Ennio Morricone’s famous soundtrack at its core. Innovative and hugely influential, boasting several memorable set ...
El Mariachi (transl. The Musician) is a 1992 Spanish language American independent neo-Western action film and the first part of the saga that came to be known as Robert Rodriguez's Mexico Trilogy.
Composer via his band Chingon. Also visual effects supervisor and music producer. Writer: "Machete Main Title Theme". 2011 Spy Kids: All the Time in the World: Yes Yes Yes No Yes Yes Yes 2013 Machete Kills: Yes Story Yes Yes Yes Yes Yes Also visual effects executive producer and music producer. Writer: "Machete Main Title Theme". 2014
In 1998, Rodriguez acquired the film rights to Mike Allred's Madman comics. Both he and Allred gave numerous signals as to the start of production over the years, but as both had been occupied with other projects (Allred was instrumental in connecting Rodriguez with Frank Miller, leading to the production of Sin City), no results emerged despite both remaining eager to see the film made. [1]