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A six-panel byōbu from the 17th century Pair of screens with a leopard, tiger and dragon by Kanō Sanraku, 17th century, each 1.78 m × 3.56 m (5.8 ft × 11.7 ft), displayed flat Left panel of Irises (燕子花図, kakitsubata-zu) by Ogata Kōrin, 1702 Left panel of the Shōrin-zu byōbu (松林図 屏風, Pine Trees screen) by Hasegawa Tōhaku, c. 1595 Byōbu depicting Osaka from the early ...
The Japanese definition for the period of prehistory characterized by the use of pottery is Jōmon (縄文, lit. cord-patterned) and refers to the entire period (c. 10,500 to 300 BC). [18] Pottery techniques reached their apogee during the Middle Jōmon period with the emergence of fire-flame pottery created by sculpting and carving coils of ...
If the fabric is a single solid colour, or the pattern was komon (a small all-over reversible pattern), the bolt can be cut anywhere. Otherwise, the patterns would be spaced so that it was in the right place relative to where the cloth would be cut (for instance, so that a kimono's hem patterns were located at the hem on all body panels).
The work is a development of suibokuga (水墨画, ink-wash paintings) made with Chinese ink (墨, sumi), using dark and light shades on a silk or paper medium.It combines naturalistic Chinese ideas of ink painting by Muqi Fachang (Chinese: 牧溪法常; pinyin: Mu-ch'i Fa-ch'ang) with themes from the Japanese yamato-e (大和絵) landscape tradition, influenced by the "splashed ink" (溌墨 ...
Before its adaptation to the Japanese dream-caretaker myth creature, an early 17th-century Japanese manuscript, the Sankai Ibutsu (山海異物), describes the baku as a shy, Chinese mythical chimera with the trunk and tusks of an elephant, the ears of a rhinoceros, the tail of a cow, the body of a bear and the paws of a tiger, which protected ...
The sokutai (束帯) is a traditional Japanese outfit worn only by courtiers, aristocrats and the emperor at the Japanese imperial court.The sokutai originated in the Heian period, and consists of a number of parts, including the ho (outer robe), shaku (笏), a flat ritual baton or sceptre, and the kanmuri (冠), a cap-shaped black lacquered silk hat with a pennon.
The panel was later reproduced by the textile workshop of the Darmstadt Artists Colony. Curling whiplash lines were modelled after natural and vegetal forms, particularly the cyclamen, iris , orchid , thistle , mistletoe , holly , water lily , and from the stylized lines of the swan , peacock , dragonfly , and butterfly .
A free-standing single-panel partition. [12] Wood, or wood frame covered with cloth or paper, often painted. Feet may be integral, or a separate stand into which a fusuma-like panel can be slotted. [13] Shown is a konmeichi (昆明池) panel, 6 shaku (181.8 cm (71.6 in)) tall; most are shorter seated-height panels. [14] Dates from the 600s or ...
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