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Art Institute of Chicago: Jesus Insulted by the Soldiers: 1865: 190.8 × 148.3 cm: Art Institute of Chicago: Bullfight: 1865 / 1866: 90 × 110 cm: Musée d'Orsay (Paris) Bullfight – Death of the Bull: 1865 / 1866: 48 × 60.4 cm: Art Institute of Chicago: The Matador Saluting: 1866 / 1867: 171.1 × 113 cm: Metropolitan Museum of Art (New York ...
Manet enjoyed a close friendship with composer Emmanuel Chabrier, painting two portraits of him; the musician owned 14 of Manet's paintings and dedicated his Impromptu to Manet's wife. [31] One of Manet's frequent models at the beginning of the 1880s was the "semimondaine" Méry Laurent, who posed for seven portraits in pastel. [32]
The House at Rueil (La maison du Rueil) is the title of two oil-on-canvas paintings by Édouard Manet completed in 1882. The paintings depict a view of the house where Manet and his family stayed for a few months before his death. The two versions are almost identical, but one is in landscape format, and the other is portrait format.
In Manet's painting, a barmaid gazes out of frame, observed by a shadowy male figure. The whole scene appears to be reflected in the mirror behind the bar, creating a complex web of viewpoints. Wall borrows the internal structure of the painting, and motifs such as the light bulbs that give it spatial depth. The figures are similarly reflected ...
The painting depicts the artist's wife, Suzanne Manet (born Suzanne Leenhoff), seated, and their son, Leon, standing and reading a book. Leon was a recurrent model for Manet who portrayed him in several pictures, such as The Lunch , The Boy Carrying a Sword and The Bubbles of Soap .
The Railway, widely known as Gare Saint-Lazare, is an 1873 painting by Édouard Manet. It is the last painting by Manet of his favourite model, the fellow painter Victorine Meurent, who was also the model for his earlier works Olympia and the Luncheon on the Grass. It was exhibited at the Paris Salon in 1874, and donated to the National Gallery ...
Le Suicidé is a small oil painting by Édouard Manet completed between 1877 and 1881. [1] The painting has been little studied within Manet's oeuvre, as art historians have had difficulty finding a place for the work within the development of Manet's art.
Spring is a 1881 oil-on-canvas painting by Édouard Manet. It debuted at the Paris Salon of 1882 and was considered the greatest and final public success of Manet's Salon career. [1] It depicts Parisian actress Jeanne DeMarsy in a floral dress with parasol and bonnet against a background of lush foliage and blue sky, as the embodiment of Spring.
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