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The score provides a one or two bar vamp figure, and indicates, "Vamp till cue", by the conductor. The vamp gives the onstage singers time to prepare for the song or the next verse, without requiring the music to pause. Once the vamp section is over, the music continues to the next section.
What Goes Around is the debut album by the Dave Holland Big Band recorded in January 2001 and released on ECM the following year. [5] The ensemble—thirteen strong—features saxophonists Antonio Hart, Mark Gross, Chris Potter and Gary Smulyan, trombonists Robin Eubanks, Andre Hayward and Josh Roseman, trumpeters Earl Gardner, Alex Sipiagin and Duane Eubanks, vibraphonist Steve Nelson and ...
vocal score or piano-vocal score A music score of an opera, musical, or a vocal or choral composition with orchestra (like oratorio or cantata) where the vocal parts are written out in full but the accompaniment is reduced to two staves and adapted for playing on piano voce Voice volante Flying volti subito (V.S.) Turn immediately (i.e. turn ...
Here it is usually a faster, brasher, semi-improvised instrumental section, sometimes with a repetitive vocal refrain. Finally, the term montuno is also used for a piano guajeo, [1] the ostinato figure accompanying the montuno section, when it describes a repeated syncopated piano vamp, often with chromatic root movement. [2]
Ostinato from Radiohead's "Creep" features modal mixture, common tones between adjacent triads (B between G & B, C and G between C+ & C−), and an emphasis on subdominant harmony (IV = C in G major). [1] A riff is a short, repeated motif or figure in the melody or accompaniment of a musical composition. [2]
Another popular vamp is I VI ii V, which in the key of C major is C A7 d minor G7. vamp till cue. A jazz, fusion, and musical theater term which instructs rhythm section members to repeat and vary a short chord progression, ostinato passage, riff, or "groove" until the band leader or conductor instructs them to move onto the next section ...
The guajeo shares rhythmic, melodic and harmonic similarities with the short ostinato figures played on marimbas, lamellophones, and string instruments in sub-Saharan Africa. The guajeo is a seamless blend of African and European musical sensibilities, and was first played as accompaniment on the tres in the Afro-Cuban son and related music ...
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