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Kalighat painting, Kalighat Patachitra, or Kalighat Pat (Bengali: কালীঘাট পটচিত্র) is a style of Indian paintings which originated in the 19th century. It was first practiced by a group of specialized scroll painters known as the patuas in the vicinity of the Kalighat Kali Temple in Kolkata (formerly Calcutta ), in ...
Patachitra (or Pattachitra in Odisha) is an old traditional art of Odisha and West Bengal: Area: Raghurajpur, Puri, Danda Sahi, Parlakhemundi, Chikiti, Digapahandi, Sonepur, Dharakote (Odisha) [1] [2] Birbhum, West Midnapore, Nayagram of Pingla block in Jhargram, Bardhaman, Murshidabad district and Kalighat region (West Bengal) [3] [4] Country ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
The art-making wooden dolls have been an age-old practice in West Bengal and Natungram is one of them. Natungram, a village of West Bengal makes wooden dolls like Gouranga, Krishna, Bor-Bou, Gour-Nitai, owl etc. [ 38 ] Gomira masks of North and South Dinajpur in West Bengal are also made of wood.
Vernacular art is an art alive (contemporary art), based on the past (the myths, the traditions and the religion) and made by defined groups. Vernacular art is based on the collective memory of this group. Examples of Vernacular Indian Painting: Tribal Painting: Bhil painting; Warli painting; Gond painting; Santhal painting; Saora painting ...
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
You are free: to share – to copy, distribute and transmit the work; to remix – to adapt the work; Under the following conditions: attribution – You must give appropriate credit, provide a link to the license, and indicate if changes were made.
[9] [10] By the 1860s and 1870s, the wood and metal engravers of Battala had become the leading artisan community in Calcutta's art market. Their prints emerged as the most prominent examples of 'bazaar' art, increasingly marginalizing Kalighat pictures. [11]
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