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  2. Conservation and restoration of papyrus - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Using blotting paper, the papyri fragments are dried via sheets of blotting paper. Using Paraloid B-48 (20 percent in acetone), the painting and its gesso layer are consolidated from the back. The object is then backed by a new cartonnage support consisting of Japanese paper (70–90 grams), linen cloth and a Planatol BB/water dilution (40 ...

  3. Transfer of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Transfer_of_panel_paintings

    The ground of the painting was then removed by solvents or scraping, until nothing remained but a thin skin of colour, pasted over with paper and held together by the muslin. A prepared canvas was then attached to the back of the paint layer, using the same method as was used for lining pictures. When the glue had dried, the paper and muslin ...

  4. Conservation and restoration of panel paintings - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    A Relative Humidity over 65% can lead to mold growth and dry rot. [5] Panel paintings are subjected to various environmental conditions during exhibition. Regulating temperature, relative humidity, light intensity and duration of exposure, and atmospheric pollutants are essential factors in painting conservation.

  5. Conservation and restoration of paintings - Wikipedia

    en.wikipedia.org/wiki/Conservation_and...

    Encaustic is a method of painting that involves dry pigments mixed with hot beeswax, then applied to the surface of a support such as wood or canvas. A completed painting is then finished by taking a source of heat to reheat the surface and fuse it together. Encaustic paintings do not require a varnish, are resistant to moisture, and do not yellow.

  6. Acrylic painting techniques - Wikipedia

    en.wikipedia.org/wiki/Acrylic_painting_techniques

    The ratio of paint to water/pouring medium depends on how thick the glaze or pouring paint is expected to be. An opaque glaze or paint consists of more paint than water, and will give a more solid color. A translucent glaze or paint will be the opposite, consisting of slightly more water than the opaque version, and will have a smoother texture ...

  7. Charcoal (art) - Wikipedia

    en.wikipedia.org/wiki/Charcoal_(art)

    Artists' charcoal is charcoal used as a dry art medium. Both compressed charcoal (held together by a gum or wax binder) and charcoal sticks (wooden sticks burned in a kiln without air) are used. [1] The marks it leaves behind on paper are much less permanent than with other media such as graphite, and so lines can easily be erased and blended.

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