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So a standard 50 mm lens for 35 mm photography acts like a 50 mm standard "film" lens even on a professional digital SLR, but would act closer to a 75 mm (1.5×50 mm Nikon) or 80 mm lens (1.6×50mm Canon) on many mid-market DSLRs, and the 40-degree angle of view of a standard 50 mm lens on a film camera is equivalent to a 28–35 mm lens on ...
The Zeiss Touit 2.8/12 is an interchangeable APS-C wide-angle camera lens announced by Zeiss on September 18, 2012. Zeiss used a diagnostic optical design for this lens. Zeiss used a diagnostic optical design for this lens.
The image sensor format of a digital camera determines the angle of view of a particular lens when used with a particular sensor. Because the image sensors in many digital cameras are smaller than the 24 mm × 36 mm image area of full-frame 35 mm cameras, a lens of a given focal length gives a narrower field of view in such cameras.
Angular field of view is typically specified in degrees, while linear field of view is a ratio of lengths. For example, binoculars with a 5.8 degree (angular) field of view might be advertised as having a (linear) field of view of 102 mm per meter. As long as the FOV is less than about 10 degrees or so, the following approximation formulas ...
For example, a 28 mm lens on the DSLR (given a crop factor of 1.5) would produce the angle of view of a 42 mm lens on a full-frame camera. So, to determine the focal length of a lens for a digital camera that will give the equivalent angle of view as one on a full-frame camera, the full-frame lens focal length must be divided by the crop factor.
The increasingly popular 20-50mm zoom range is arguably more versatile than the more established 16-35mm lenses and shares the minimum 2.5× optical zoom ratio of 28-70mm lenses but shifted to a wider field of view. Even some new fixed-lens cameras like the Sony ZV-1 II are switching from a standard zoom lens to a wider zoom lens that covers ...
The Olympus M.Zuiko Digital ED 12mm f/2 is a Micro Four Thirds System Prime lens by Olympus Corporation. In the Micro Four Thirds format, it is a wide- or ultra-wide lens. The lens is focus-by-wire, using the autofocus motor even for manual focus. The motor is quiet, and suitable for video use ("MSC"- movie and stills compatible).
For example, a 50mm f/2 lens on a 2× crop factor Micro Four Thirds camera would be equivalent to a 100 mm (= 2×50 mm) f/4 (= f/(2×2)) lens on a full-frame digital SLR in terms of field of view, depth of field, total light gathered, [4] and diffraction effects. However for the purposes of exposure calculations the aperture does not change for ...