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Georges Bataille's Story of the Eye is a 2004 American drama film based on the 1928 novel Story of the Eye by the French writer Georges Bataille. The film, directed by Andrew Repasky McElhinney, takes place in a seemingly abandoned house where a group of people engage in wordless acts of passion. The film covers a period from evening to morning ...
Story of the Eye (French: Histoire de l'œil) is a 1928 novella written by Georges Bataille as Lord Auch (literally, Lord "to the shithouse" — "auch" being short for "aux chiottes", slang for telling somebody off by sending him to the toilet), that details the increasingly bizarre sexual perversions of a pair of teenage lovers, including an early depiction of omorashi fetishism in Western ...
H. G. Wells' The Shape of Things to Come is a 1979 Canadian science fiction film directed by George McCowan, and starring Jack Palance, Barry Morse, Nicholas Campbell, Anne-Marie Martin, Carol Lynley and John Ireland. [1]
Elaine Stritch (February 2, 1925 – July 17, 2014) was an American actress, singer, and comedienne, known for her work on Broadway and later, television. She made her professional stage debut in 1944 and appeared in numerous stage plays, musicals, feature films and television series.
Trick of the Eye (also known as Primal Secrets) is a 1994 American made-for-television psychological thriller film starring Ellen Burstyn and Meg Tilly. Directed by Ed Kaplan, it is based on the 1992 novel of the same name by Jane Stanton Hitchcock .
The Manster (1959) by George P. Breakston and Kenneth G. Crane The Manster ( 双頭の殺人鬼 , Sōtō no Satsujinki , "The Two-Headed Killer") is a 1959 American science-fiction horror film . Shot in Japan, it was produced by George P. Breakston and directed by Breakston and Kenneth G. Crane from a screenplay by Walter J. Sheldon.
The Million Eyes of Sumuru, also known as The Million Eyes of Su-muru and Sumuru, is a 1967 British-Hong Kong spy film directed by Lindsay Shonte and starring Frankie Avalon, George Nader and Shirley Eaton. [1] It was produced by Harry Alan Towers and filmed at the Shaw Brothers studios in Hong Kong.
I myself pioneered the dramatic use of still photographs (rather than paintings or prints) in a story-telling sequence for Arch Oboler’s 1950 Columbia feature ‘Five,’ and have for more than a decade continued development of this form—in my independent feature ‘The Naked Eye’ (1956), the featurette ‘The True Story of the Civil War ...
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