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Drawing Hands is a lithograph by the Dutch artist M. C. Escher first printed in January 1948. It depicts a sheet of paper, out of which two hands rise, in the paradoxical act of drawing one another into existence. This is one of the most obvious examples of Escher's common use of paradox.
Escher's artistic expression was created from images in his mind, rather than directly from observations and travels to other countries. His interest in the multiple levels of reality in art is seen in works such as Drawing Hands (1948), where two hands are shown, each drawing the other. [g] The critic Steven Poole commented that
The museum features a permanent display of a large number of woodcuts and lithographs by M.C. Escher, among them the world-famous prints, Sky and Water (birds become fish); Belvedere (the inside out of a Folly); Waterfall (where water seems to flow upwards); Drawing (two hands drawing each other). Escher in Het Paleis shows the early lovely ...
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Hand with Reflecting Sphere, also known as Self-Portrait in Spherical Mirror, is a lithograph by Dutch artist M. C. Escher, first printed in January 1935. The piece depicts a hand holding a reflective sphere. In the reflection, most of the room around Escher can be seen, and the hand holding the sphere is revealed to be Escher's. [citation needed]
Identical characters such as these can be found in many other Escher works. In the world of Relativity, there are three sources of gravity, each being orthogonal to the two others. Each inhabitant lives in one of the gravity wells, where normal physical laws apply. There are sixteen characters, spread between each gravity source, six in one and ...
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Escher scholar Bruno Ernst argues that this print is significant for being the first of four Escher drawings to use impossible object. [3] However, there is debate as to whether the figure constitutes a true visual impossibility or is merely ambiguous, as the bands do not have continuous contours that unite their front and back faces, meaning ...
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