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Concert performances are commonly presented in concert halls without a theater stage, but occasionally also in opera houses when a scenic production is deemed too difficult or expensive. During a concert performance in an opera house, the orchestra does not play in the orchestra pit. Frequently, they play on the stage, with the choir (chorus ...
Concert production is the act of putting on a concert or a live music performance. As an individual's role, this refers to the person coordinating all the staff and equipment necessary to make a concert happen; [1] they monitor the schedule, pay the staff, act as a hub for communication between team members, and generally make sure the event runs smoothly.
The term backline is used in popular music and sound reinforcement system contexts to refer to electronic audio amplification equipment and speaker enclosures that are placed behind the band or the rhythm section on stage, including amplifiers and speaker cabinets for guitars, bass guitars and keyboards. Such equipment is often rented or leased ...
Stage management is a broad field that is generally defined as the practice of organization and coordination of an event or theatrical production. Stage management may encompass a variety of activities including overseeing of the rehearsal process and coordinating communications among various production teams and personnel.
A networked music performance or network musical performance is a real-time interaction over a computer network that enables musicians in different locations to perform as if they were in the same room. [1] These interactions can include performances, rehearsals, improvisation or jamming sessions, and situations for learning such as master ...
The audio engineer that designs the front-of-house sound system and puts it into place for the show/event is the system engineer, and this role is often separate from the person who operates the mixing desk who is often employed by the band directly on larger tours or employed by the venue for smaller tours.
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A sound reinforcement system for a rock concert in a stadium may be very complex, including hundreds of microphones, complex live sound mixing and signal processing systems, tens of thousands of watts of amplifier power, and multiple loudspeaker arrays, all overseen by a team of audio engineers and technicians.
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