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Padre Pio of Pietrelcina venerated the shoulder wound of Jesus, and bore it himself as a stigmata. According to Stefano Campanella, author of " Il papa e il frate " (The Pope and the Friar), Karol Wojtyła (the future Pope John Paul II ), while still a priest, visited Padre Pio and asked the question of which was his most painful wound – much ...
The 1549 Book of Common Prayer reduced the use of the sign of the cross by clergy during liturgy to five occasions, although an added note ("As touching, kneeling, crossing, holding up of hands, and other gestures; they may be used or left as every man's devotion serveth, without blame") gave more leeway to the faithful to make the sign. [38]
The East Syriac Rite, or East Syrian Rite (also called the Edessan Rite, Assyrian Rite, Persian Rite, Chaldean Rite, Nestorian Rite, Babylonian Rite or Syro-Oriental Rite), is an Eastern Christian liturgical rite that employs the Divine Liturgy of Saints Addai and Mari and utilizes the East Syriac dialect as its liturgical language.
Christ after his Resurrection, with the ostentatio vulnerum, showing his wounds, Austria, c. 1500. The five wounds comprised 1) the nail hole in his right hand, 2) the nail hole in his left hand, 3) the nail hole in his right foot, 4) the nail hole in his left foot, 5) the wound to his torso from the piercing of the spear.
The proper manner of wearing the upper garment or thread, state the ancient texts, is from over the left shoulder and under the right arm. [69] yajñopavīta contrasts with Pracinavīta method of wearing the upper garment, the latter a reverse and mirror image of former, and suggested to signify rituals for elders/ancestors (for example ...
The vestment is a stiff, lozenge-shaped cloth that hangs on the right side of the body below the waist, suspended by one corner from a strap drawn over the left shoulder. In the Russian tradition it is an award for service; in the Greek tradition it is usually a sign that the priest has an advanced academic degree and a blessing to hear ...
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The deacon wears the orarion over his left shoulder with the front portion draped over his left forearm. He will take this portion in his right hand when leading litanies or drawing attention to a particular liturgical action. This single orarion is the oldest form, as illustrated in traditional and older iconography.
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