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Lady Killer (French: Gueule d'amour) is a 1937 French drama film directed by Jean Grémillon and starring Jean Gabin, Mireille Balin and Marguerite Deval.It has been classified as both a film noir [1] [2] and an entry into the poetic realist group of films of the late 1930s.
Nonetheless he sent the scenario to Gabin, who accepted to play the central role, exploiting the actor's more mature look. [4] Gabin’s film career had been drifting somewhat since the war, and Grisbi revived it and led him into the success in older roles in the latter part of his career. [6] Touchez pas au grisbi marked the film debut of Lino ...
Jean Gabin Alexis Moncorgé, known as Jean Gabin (French: [ʒɑ̃ gabɛ̃]; 17 May 1904 – 15 November 1976), was a French actor and singer.Considered a key figure in French cinema, he starred in several classic films, including Pépé le Moko (1937), La grande illusion (1937), Le Quai des brumes (1938), La bête humaine (1938), Le jour se lève (1939), and Le plaisir (1952).
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Port of Shadows (French: Le Quai des brumes [lə kɛ de bʁym], "The dock of mists") is a 1938 French film directed by Marcel Carné.An example of poetic realism, it stars Jean Gabin, Michel Simon and Michèle Morgan.
The guys wore weight vests to see who could carry an extra 80 lbs. the longest. Kenny ordered a high-tech, padded weight vest on the show's budget while Spenny used a regular vest with barbells and other weights tied to it. Kenny took the weights out of his vest after the initial weighing. He then donned makeup and a fat suit and left the house.
They Were Five (French: La Belle Équipe) is a 1936 French drama film directed by Julien Duvivier and starring Jean Gabin, Charles Vanel, and Viviane Romance.It tells the story of five unemployed workers who win the jackpot in the national lottery but their solidarity then proves fragile.
The New York Times called it "meandering, stilted and extremely flat melodrama" which "spurts to life towards the end" when Gabin meets George Raft and "the two men lock eyeballs like two king cobras" with "a chilling authenticity". [5] The film was a moderate success at the French box office. [1]
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