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In the famous speech of Act II, Scene II [1] of the play, the line is said by Juliet in reference to Romeo's house: Montague. The line implies that his name (and thus his family's feud with Juliet's family) means nothing and they should be together. Juliet: O Romeo, Romeo! wherefore art thou Romeo? Deny thy father and refuse thy name;
Gounod's Roméo et Juliette, in which the composer is always pleasing, though seldom impressive, might be described as the powerful drama of Romeo and Juliet reduced to the proportions of an eclogue for Juliet and Romeo. One remembers the work as a series of very pretty duets, varied by a sparkling waltz air for Juliet, in which Madame Patti ...
Frontispiece of Giulietta e Romeo by Luigi da Porto, 1530. Luigi da Porto (1485–1529) adapted the story as Giulietta e Romeo [13] and included it in his Historia novellamente ritrovata di due nobili amanti (A Newly-Discovered History of two Noble Lovers), written in 1524 and published posthumously in 1531 in Venice.
Berlioz's composition was heavily influenced by the play he had seen acted by Charles Kemble and Harriet Smithson in 1827, which had been rewritten by the 18th century actor David Garrick to have Juliet awaken from her deathlike sleep before Romeo's death from (a much slower acting) poison. Berlioz enlisted the services of author Emile ...
The earliest tale bearing a resemblance to Shakespeare's Romeo and Juliet is Xenophon of Ephesus' Ephesiaca, whose heroic figure is a Habrocomes.The character of Romeo is also similar to that of Pyramus in Ovid's Metamorphoses, a youth who is unable to meet the object of his affection due to an ancient family quarrel, and later kills himself due to mistakenly believing her to have been dead. [3]
Austrian Version: Romeo drinks a vial of poison, and similar to Romeo + Juliet, Juliet wakes up just in time to watch him die. She kills herself with Romeo's dagger. Asia Tour Version: Same as the Austrian version. Romeo drinks a vial of poison after singing "Mort de Romeo", with Juliet waking up just in time to see him die. After singing "La ...
A plague o' both your houses! is a catchphrase from William Shakespeare's tragedy Romeo and Juliet. The phrase is used to express irritation and irony regarding a dispute or conflict between two parties. It is considered one of the most famous expressions attributed to Shakespeare. [1]
Romeo e Giulietta (1983); TV broadcast of a stage production of Prokofiev's ballet adaptation from the Palazzetto dello Sport; directed by Rudolf Nureyev (Italy/UK) Romeo and Juliet (1984); TV broadcast of a stage production of Kenneth MacMillan's ballet to Prokofiev's score, from the Royal Opera House; directed by Colin Nears (UK)