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The story of Fionnuala and the other children of Lir shares the motif of transformation into swans, as swans and the associated cranes ("grús") share Irish mythological reverence due to, especially in the latter case, being equally at home in flight, on land, and in water, which made it an especially magical creature able to transition to ...
In Irish mythology, Aengus or Óengus is one of the Tuatha Dé Danann and probably originally a god associated with youth, love, [1] summer and poetic inspiration. The son of The Dagda and Boann, Aengus is also known as Macan Óc ("the young boy" or "young son"), and corresponds to the Welsh mythical figure Mabon and the Celtic god Maponos. [1]
Irish mythology is the body of myths indigenous to the island of Ireland. It was originally passed down orally in the prehistoric era. In the early medieval era, myths were written down by Christian scribes, who Christianized them to some extent. Irish mythology is the best-preserved branch of Celtic mythology.
Aengus - god of passionate and romantic love, youth and poetic inspiration; Áine - goddess of parental and familial love, summer, wealth and sovereignty; Banba, Ériu and Fódla - patron goddesses of Ireland
Niamh (/ n iː v /, also known as Niamh Cinn-Óir ("Golden-headed Niamh" or "Golden-haired Niamh")) is the lover or spouse of Oisín, son of Fionn mac Cumhail, in the Fianna Cycle of Irish mythology. In the story of Niamh, she was an otherworldly woman who fell in love with an Irish man named Oisín and carried him away to live with her in her ...
The earth, moon, and sun were thought to be created by druids, much like how Brahmans boasted the same cosmogony story. Much like preceding myth, the Gauls believed the trees and mountains held up the sky. [7] These stories stayed in the oral tradition because the Irish had not been invaded at the time, like surrounding countries. In ...
The 'Land of the Ever Young' depicted by Arthur Rackham in Irish Fairy Tales (1920). In Celtic mythology, the Otherworld is the realm of the deities and possibly also the dead. In Gaelic and Brittonic myth it is usually a supernatural realm of everlasting youth, beauty, health, abundance and joy. [1]
Manannán appears in all of the cycles of Irish mythology, although he only plays a prominent role in a limited number of tales. In the Ulster Cycle: Tochmarc Étaíne ('The Wooing of Étaín'), Serglige Con Culainn ('The Wasting Sickness of Cúchulainn ' or 'The Sickbed of Cúchulainn '), [11] Tochmarc Luaine ('The Wooing of Luan ')