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Doppelganger: A Trip into the Mirror World is a 2023 memoir and political analysis by Canadian author, social activist, and filmmaker Naomi Klein. In it, Klein examines the current climate of political polarization and conspiracy thinking , by contrasting Klein's worldview with that of Naomi Wolf , for whom Klein is often confused.
Doppelganger is a high fantasy novel written by Marie Brennan published in 2006. [1] It chronicles the adventures of Miryo, a witch , and Mirage, her doppelgänger . Premise
Marie Brennan is the pseudonym of Bryn Neuenschwander, an American fantasy author. Her works include the Doppelganger duology (Doppelganger and its sequel Warrior and Witch); the Onyx Court series; the Memoirs of Lady Trent series; and numerous short stories.
The Doppelganger: Literature's Philosophy, 2010 book by Dimitris Vardoulakis; Doppelganger, a 2008 novel by Pete Hautman; Doppelganger, a 2010 novel by Jenny Valentine; The Doppelganger, a 1936 novel by Hammond Innes; Doppelganger, a 2023 non-fiction book by Naomi Klein; Doppelganger (comics), a character appearing in Marvel Comics
Dante Gabriel Rossetti, How They Met Themselves, watercolour, 1864. A doppelgänger [a] (/ ˈ d ɒ p əl ɡ ɛ ŋ ər,-ɡ æ ŋ-/ DOP-əl-gheng-ər, -gang-), sometimes spelled doppelgaenger or doppelganger, is a ghostly double of a living person, especially one that haunts its own fleshly counterpart.
The Doppelganger, his first novel, was published in 1937. In WWII , he served in the Royal Artillery , eventually rising to the rank of Major. During the war, further books were published, including Wreckers Must Breathe (1940), The Trojan Horse (1940) and Attack Alarm (1941), the last of which was based on his experiences as an anti-aircraft ...
The Doppelganger: Literature's Philosophy is a 2010 book by Dimitris Vardoulakis in which the author examines the relationship between literature and philosophy. [ 1 ] [ 2 ] [ 3 ] References
Looking forwards, it is often read as a psychosocial version of his later ethical-psychological works. [7] These two readings, together, position The Double at a critical juncture in Dostoevsky's writing at which he was still synthesising what preceded him but also adding in elements of his own.