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Wim Crouwel Site includes articles, chronology, typography, bibliography and gallery of designer's work. Wim Crouwel bio at Iconofgraphics.com; Postage stamps designed by Wim Crouwel; Architype Crouwel, a collection of typefaces in collaboration between David Quay and Freda Sack of The Foundry and Wim Crouwel now The Foundry Types.
Through my teaching I set out to use the positive qualities of Swiss typography as a base from which to pursue radically new typographic frontiers.” [5] Between 1974 and 1996, at Hofmann’s invitation, Weingart taught at the Yale Summer Program in Graphic Design in Brissago, Switzerland. For over forty years he lectured and taught ...
Edward Fella was a commercial artist for 30 years, from 1957 to 1987. Most of the works he created during this time were automotive and health care posters. [3] Fella was given the name "the king of zing" because of his whimsical illustration style he had.
A book celebrating U&lc, U&lc: Influencing Design & Typography by John D. Berry (the magazine's final editor) ISBN 0-9724240-9-1, was published by Mark Batty in 2005. In October 2010 Allan Haley announced on the Fonts.com blog that the complete run of U&lc had been digitized and would be made available, one year's worth per month, via PDF ...
ATypI was founded in 1957 by Charles Peignot (from the French type foundry Deberny & Peignot).The members of the organisation come from the typographic community from all over the world and consist primarily of type designers, representatives of type foundries, graphic designers and typographers.
He went on to study graphical design, calligraphy, and typography at the Workshop School of Advertising Art under the Russian-American graphical artist and calligrapher Paul Standard. [6] He was hired as a designer by Esquire magazine in 1953 and subsequently went on to join Photo Lettering Inc. as a design director in 1962. It was here that he ...
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Stanley Arthur Morison [1] (6 May 1889 – 11 October 1967) was a British typographer, printing executive and historian of printing. [2] [3] [4] Largely self-educated, he promoted higher standards in printing and an awareness of the best printing and typefaces of the past.
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