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Casket with couples, traces of polychromy, certosina work and naked winged boys above "Wedding casket", with certosina work, and missing parts showing wooden framework, c. 1390–1410 The Embriachi workshop ( Italian : Bottega degli Embriachi ) was an important producer of objects in carved ivory and carved bone , set in a framework of inlaid wood.
In the early 21st century, on 11 September 2007, the 210th anniversary of the Napoleonic looting of the painting from Italy in 1797, a full-sized (6.77 m x 9.94 m) computer-generated (1,591 files), digital facsimile of The Wedding Feast at Cana was hung in the Palladian refectory of the Monastery of San Giorgio Maggiore, which the Giorgio Cini ...
From the late 1850s, neo-Renaissance cassoni were confected for dealers like William Blundell Spence, Stefano Bardini or Elia Volpi in order to present surviving cassone panels to clients in a more "authentic" and glamorous presentation. [2] A typical place for such a cassone was in a chamber at the foot of a bed that was enclosed in curtains.
The Wedding at Cana is a popular theme painted by many artists. Italian Renaissance painter Paolo Veronese who was based in Venice painted his version of The Wedding at Cana. The theme is traditionally considered the first miracle attributed to Jesus in the Gospel of John. Jesus Christ, his mother, and his disciples were invited to a wedding.
[1] [2] Despite her inclusion, there is not much information documenting the artist's progression of skill, or who she trained under, leading up to the creation of Joseph and Potiphar's wife. [3] Instead, the artist faced much social backlash surrounding the scandalous imagery and Vasari's own account of the artist's personal connection to the ...
The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael.Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph.
The Feast of the Gods, Giovanni Bellini and Titian (1514–1529), also with Priapus and Lotis, also bottom right. One of the earliest depictions is a cassone panel by Bartolomeo di Giovanni from the 1490s (Louvre, illustrated); this is paired with a panel of the Procession of Thetis, another common way of depicting a wedding; artists were unsure what form an actual Olympian wedding ceremony ...
Venus and Mars (or Mars and Venus) is a panel painting of about 1485 by the Italian Renaissance painter Sandro Botticelli. [2] It shows the Roman gods Venus, goddess of love, and Mars, god of war, in an allegory of beauty and valour. The youthful and voluptuous couple recline in a forest setting, surrounded by playful baby satyrs.