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"Arriba en la Cordillera" (translanted: "Up in the Mountain Range") is a song by the Chilean singer-songwriter Patricio Manns released as single in 1965 and included in the 1966 studio album Entre Mar y Cordillera. It reached #1 on the Chilean charts and was chosen as the most popular song at Huaso de Olmué Festival in 2009.
Syllabic and melismatic text setting: "Jesus Christ Is Ris'n Today" (Methodist Hymn Book, 1933, No. 204). [1] Play ⓘ Melisma (Ancient Greek: μέλισμα, mélisma, lit. ' song '; from μέλος, melos, 'song, melody', plural: melismata) is the singing of a single syllable of text while moving between several different notes in succession
A Collection of Hymns and a Liturgy: for the use of Evangelical Lutheran Churches, to which are added prayers for families and individuals (1834) [257] Church Hymn Book; consisting of hymns and psalms, original and selected. adapted to public worship and many other occasions (1838) [258] Church of the Lutheran Confession. The Lutheran Hymnal (1941)
William Walker. William Walker (May 6, 1809 – September 24, 1875) was an American Baptist song leader, shape note "singing master", and compiler of four shape note tunebooks, most notable of which are the influential The Southern Harmony and The Christian Harmony, which has been in continuous use (republished 2010).
"Through Valleys and Over Hills" (Russian: По долинам и по взгорьям) or "Through Forests and Over Hills" (Serbo-Croatian: По шумама и горама / Po šumama i gorama), also known as the "Partisan's Song", is a popular Red Army song from the Russian Civil War.
The famed English composer and music historian Ralph Vaughan Williams (1872–1958) referred to this as one of the greatest hymn tunes. As the musical editor Vaughan Williams included it in The English Hymnal in 1906. It is now published in 195 hymnals worldwide, including The New English Hymnal. It alternates phrases of 8 and 7 notes.
A kontakion (Greek κοντάκιον, kondákion, plural κοντάκια, kondákia) is a form of hymn in the Byzantine liturgical tradition.. The kontakion form originated in the Byzantine Empire around the 6th century and is closely associated with Saint Romanos the Melodist (d. 556).
Below is the text of A solis ortus cardine with the eleven verses translated into English by John Mason Neale in the nineteenth century. Since it was written, there have been many translations of the two hymns extracted from the text, A solis ortus cardine and Hostis Herodes impie, including Anglo-Saxon translations, Martin Luther's German translation and John Dryden's versification.
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