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Costume design drawings by Lisa Holmes for 2016 New Zealand Opera production of Mozart's Magic Flute. 1. Analysis: The first step is an analysis of the script, musical composition, choreography, etc. Costume parameters for the show are established and a rough costume plot is created.
Free-hanging pockets were tied around the waist and were accessed through pocket slits in the side-seams of the gown or petticoat. Woolen or quilted waistcoats were worn over the stays or corset and under the gown for warmth, as were petticoats quilted with wool batting, especially in the cold climates of Northern Europe and America .
The dresses had a fitted bodice and it gave a high-waist appearance. The style had waxed and waned in fashion for hundreds of years. The shape of the dresses also helped to lengthen the body's appearance. The clothing can also be draped to maximize the bust. Lightweight fabrics were typically used to create a flowing effect.
This was especially apparent in the distinctive, privileged official dress of magistrates, priesthoods and the military. The toga was considered Rome's " national costume ," privileged to Roman citizens but for day-to-day activities most Romans preferred more casual, practical and comfortable clothing; the tunic, in various forms, was the basic ...
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An Ojibwe jingle dress in the Wisconsin Historical Museum. Jingle dress is a First Nations and Native American women's pow wow regalia and dance. North Central College associate professor Matthew Krystal notes, in his book, Indigenous Dance and Dancing Indian: Contested Representation in the Global Era, that "Whereas men's styles offer Grass Dance as a healing themed dance, women may select ...
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The drawing was influenced by James McNeill Whistler's decorations in his 1876–77 Peacock Room, designed for Frederick Leyland's house at 49 Prince's Gate, but now in the Freer Gallery of Art. The refined curving lines of Beardsley's drawing were also influenced by Japanese woodblock prints , and anticipate the forms of the Art Nouveau aesthetic.
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