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  2. Dodge Challenger - Wikipedia

    en.wikipedia.org/wiki/Dodge_Challenger

    Dodge's first usage of the Challenger name was for a trim package in 1959 called the Dodge Silver Challenger, which was a two-door coupe only. The Challenger's longer wheelbase, larger dimensions, and more luxurious interior were prompted by the launch of the 1967 Mercury Cougar, likewise, a bigger, more luxurious, and more expensive pony car ...

  3. Honō no Tōkyūji: Dodge Danpei - Wikipedia

    en.wikipedia.org/wiki/Honō_no_Tōkyūji:_Dodge...

    Honō no Tōkyūji: Dodge Danpei (炎の闘球児 ドッジ弾平, "Flaming Rugby Boy: Dodge Danpei") is a Japanese manga series based on dodgeball, by Tetsuhiro Koshita, which was serialized in CoroCoro Comic.

  4. Dodge Neon SRT-4 - Wikipedia

    en.wikipedia.org/wiki/Dodge_Neon_SRT-4

    The Dodge Neon SRT-4 (also known and later labeled as Dodge SRT-4) is a sport compact car manufactured by Dodge from 2003 to 2005. A turbocharged variant of the Neon , [ 1 ] the car was developed by DaimlerChrysler 's in house PVO (Performance Vehicle Operations) tuner group.

  5. Challengers (manga) - Wikipedia

    en.wikipedia.org/wiki/Challengers_(manga)

    Challengers (Japanese: チャレンジャーズ, Hepburn: Charenjāzu) is a yaoi manga by the Japanese manga artist Hinako Takanaga, who also authored Little Butterfly and The Devil's Secret.

  6. Challenger: The Final Flight - Wikipedia

    en.wikipedia.org/wiki/Challenger:_The_Final_Flight

    Challenger: The Final Flight is a 2020 American docuseries developed by Glen Zipper and Steven Leckart for Netflix. [3] It focuses on the Space Shuttle Challenger disaster, including the build-up to the flight, interviews with key individuals and fallout from the disaster. The series was released on Netflix on September 16, 2020. [4]

  7. Challengers (soundtrack) - Wikipedia

    en.wikipedia.org/wiki/Challengers_(soundtrack)

    The score received widespread acclaim from critics. Ty Burr of The Washington Post called the soundtrack "one of [Reznor and Ross's] best to date." [5] Mireia Mullor of Digital Spy called the score "phenomenal", [6] while Robbie Collin of The Telegraph called it "counterintuitively perfect". [7]