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His icon was the framework for later painters of the maniera greca. Moskos painted his own version and significantly refined it. Emmanuel Tzanes painted his own version around the same period. The Moskos version is located at the Icon Museum in Recklinghausen, Germany. It was formerly part of the Minken Collection in London. [2] [3]
It describes Jesus's disciples as branches of himself. The Moskos version Christ the Vine is an identical copy of a painting in the Byzantine and Christian Museum identified by historians as a mid-16th-century icon created by an unknown artist. [2] The Moskos version is located at the Benaki Museum in Athens, Greece. [3] [4] [5]
[3] [4] Proto-Renaissance painter Fra Angelico completed a version of the theme around 1432 called Death and the Assumption of the Virgin. Greek painters employed a common technique during the early Cretan School following the traditional lines of Greek Italian Byzantine painting.
Ioannis Moskos (Greek: Ιωάννης Μόσκος; 1635-44 – 1721) was a Greek painter that migrated to Venice. Two other very famous painters with the name Moskos were active around the same period Elias Moskos and Leos Moskos .
The Crucifixion is an egg tempera painting created by Ioannis Moskos. Moskos was a Greek painter originally from Crete. He migrated to Venice. Two other painters named Moskos were active during the same period. Their names were Elias Moskos and Leos Moskos. Leos and Ioannis were both in Venice during the same period.
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The Last Judgment is a tempera painting on gold leaf and wood panel. The height is 61 cm (24 in) and the width is 49.8 cm (19.6 in). The work was completed in 1653. In the upper portion of the painting, Christ appears in the cen
Leo or Leos Moskos (Greek: Λέος Μόσκος, 1620/30 – 1690) was a painter and educator. There were two other painters named Moskos active around the same period, Elias Moskos and Ioannis Moskos , who may have been his relatives.