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[1] His work shows in particular a stylistic affinity with that of Pinturicchio , which has given rise to the hypothesis that Macrino frequented his workshop. There he must have learned the use of bright colours and the placing of his scenes among bold Renaissance architecture and landscapes rich in Roman ruins and "antiques".
Panini was a famed painter of capriccios, architectural fantasies.In this case, he combined a staggering array of monuments by Romans without regard to topography. From left to right, he included the Temple of Hadrian, the Pantheon, the Temple of Vesta, the Maison Carrée, and the Theater of Marcellus, all of them surrounding the Obelisk of Thutmose III.
Giovanni Paolo, also known as Gian Paolo Panini or Pannini (17 June 1691 – 21 October 1765), was an Italian Baroque painter and architect who worked in Rome and is primarily known as one of the vedutisti ("view painters").
Fantasy view with the Pantheon and other monuments of Ancient Rome, 1737, by Giovanni Paolo Panini. In painting, a capriccio (Italian pronunciation: [kaˈprittʃo], plural: capricci [kaˈprittʃi]; in older English works often anglicized as "caprice") is an architectural fantasy, placing together buildings, archaeological ruins and other architectural elements in fictional and often ...
Buried and unseen for nearly 2,000 years, a series of striking paintings showing Helen of Troy and other Greek heroes has been uncovered in the ruined Roman town of Pompeii.
Roman fresco from the Tomb of Esquilino, c. 300-280 B.C. As with the other arts, the art of painting in Ancient Rome was indebted to its Greek antecedents. In archaic times, when Rome was still under Etruscan influence, they shared a linear style learned from the Ionian Greeks of the Archaic period, showing scenes from Greek mythology, daily life, funeral games, banquet scenes with musicians ...
Artists whose body of work is paintings of ancient ruins. In Italy, many painters of vedute painted ruins or capricci or imaginary architecture often of Roman ruins.
For commercial reasons, Francesco copied some of his father's sought-after paintings. Capriccio with Roman Ruins and Figures, c. 1740–1760, Giovanni Paolo Panini (Coll. Denver Art Museum) Architectural Capriccio with Figures (late 18th-C) by Francesco Panini View of the interior of St Peter's Basilica in the Vatican (c. 1770) by Francesco ...
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