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Expensive guitars may have luxury pickguards made from exotic woods, [1] furs, skins, gems, precious metals, Mother of Pearl and abalone pearl. The pickguard is a very common site for an autograph, since the signed pickguard can easily be detached and moved to another guitar or sold separately as a piece of memorabilia.
The first production model was called the American Standard B-Bender Telecaster. This guitar included two American Standard pickups and a 3-way selector switch. The guitar body was solid alder wood with a 1952-style sharp radius, a 1-piece maple neck and maple fretboard with rolled edges, 25.5 inch (648 mm) scale with 22 medium-jumbo frets, die-cast tuners and a 3-ply pickguard.
This guitar usually came with a deluxe locking tremolo assembly, abalone fretboard dots and an aged white pearloid pickguard; earlier versions featured a standard American Fender 2-point tremolo system (or a "deluxe" bridge with a pop-in tremolo bar), white fretboard dots, a 3-ply white pickguard and a Silver Lace Sensor single-coil pickup in ...
This version of the Aerodyne Jazz features a radiused, carved basswood Jazz Bass body with cream binding in a non transparent finish, matching painted headstock, "C" shape Jazz Bass neck with a 20-fret stained rosewood fingerboard with aged pearloid dot inlays, P/J pickups, a 3-ply black/white/black pickguard, and a chrome Jazz style control ...
It started out as a US version of the Contemporary Stratocaster [1] and featured two Fender Texas Special pickups in the neck and middle positions, a Seymour Duncan '59 Jeff Beck Trembucker in the lead position, a white pearloid pickguard and a deluxe locking tremolo bridge. Later after Suhr left it was turned into a back-routed carved set neck ...
Several variations of Clapton's personal guitar were made by the Fender Custom Shop throughout the years, including fancy versions with ash bodies, quilted or maple tops, abalone dot position inlays, matching headstocks, gold hardware and white pearloid pickguards, made by Senior Master Builder J. W. Black.
The top of the Hi-Flier headstock has two U-shaped cuts, echoing the three-notch "M" shape of the Mosrite. The pickguard shape and control layout also mimicked Mosrite. The first Hi-Fliers have a three-tone sunburst finish, pearloid white pickguard and truss rod cover. These very early Hi-Fliers are distinctly different from later models ...
Fender switched to pearloid blocks/binding on all necks in mid-to-late 1973. Fender also switched to the three-bolt neck "micro-tilt adjustable" neck and the "bullet" truss rod in mid-to-late 1974, before reverting to the more standard four-bolt neck fixing and dot-shaped fretboard markers in 1983. White pickup covers and a pickguard/control ...
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