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Traditional Japanese haiku consist of three phrases composed of 17 morae (called on in Japanese) in a 5, 7, 5 pattern; [1] that include a kireji, or "cutting word"; [2] and a kigo, or seasonal reference. However, haiku by classical Japanese poets, such as Matsuo Bashō, also deviate from the 17-on pattern and sometimes do not contain a kireji.
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Kireji (切れ字, lit. "cutting word") are a special category of words used in certain types of Japanese traditional poetry. It is regarded as a requirement in traditional haiku, as well as in the hokku, or opening verse, of both classical renga and its derivative renku (haikai no renga).
A haiku in English is an English-language poem written in a form or style inspired by Japanese haiku.Like their Japanese counterpart, haiku in English are typically short poems and often reference the seasons, but the degree to which haiku in English implement specific elements of Japanese haiku, such as the arranging of 17 phonetic units (either syllables or the Japanese on) in a 5–7–5 ...
Julien Miquel AIWS is a French YouTuber and winemaker, best known for making word pronunciation videos on his eponymous channel, with over 50,000 uploads as of May 2024. Several native speakers have criticised him for butchering the pronunciation of their languages. [1]
In the Japanese language, the word means "sound". It includes the phonetic units counted in haiku, tanka, and other such poetic forms. Known as "morae" to English-speaking linguists, the modern Japanese term for the linguistic concept is either haku or mōra . Ji (字) is Japanese for "symbol" or "character".
The typical length of haiku appearing in the main English-language journals is 10–14 syllables [1] [2] and few have a syllabically symmetrical line arrangement such as 5-7-5 or 3-5-3. Some haiku poets are concerned with their haiku being expressed in one breath [3] [4] [5] and the extent to which their haiku focus on "showing" as opposed to ...
Higginson's experience in Japan led him to conclude "the 17 sound structure of Japanese haiku did not translate into 17 syllables in English" and in his translations therefrom stressed more upon "the order of images, the grammar between them (or lack thereof) and the psychological effect of the poems". [4]