Search results
Results from the WOW.Com Content Network
Common characteristics of public art are public accessibility, public realm placement, community involvement, public process (including public funding); these works can be permanent or temporary. According to the curator and art/architecture historian, Mary Jane Jacob , public art brings art closer to life.
The Umbrella Project (1991), art installation by Christo, Ibaraki, Japan The ephemeral nature of certain artistic expressions is above all a subjective concept subject to the very definition of art, a controversial term open to multiple meanings, which have oscillated and evolved over time and geographic space, since the term "art" has not been understood in the same way in all times and places.
John Gould Fletcher. John Gould Fletcher (January 3, 1886 – May 10, 1950) was an Imagist poet (the first Southern poet to win the Pulitzer Prize), author and authority on modern painting. [1]
Installation art is an artistic genre of three-dimensional works that are often site-specific and designed to transform the perception of a space. Generally, the term is applied to interior spaces, whereas exterior interventions are often called public art, land art or art intervention; however, the boundaries between these terms overlap.
Benjamin presents the thematic bases for a theory of art by quoting the essay "The Conquest of Ubiquity" (1928), by Paul Valéry, to establish how works of art created and developed in past eras are different from contemporary works of art; that the understanding and treatment of art and of artistic technique must progressively develop in order to understand a work of art in the context of the ...
Christo Vladimirov Javacheff (1935–2020) and Jeanne-Claude Denat de Guillebon (1935–2009), known as Christo and Jeanne-Claude, were artists noted for their large-scale, site-specific environmental installations, often large landmarks and landscape elements wrapped in fabric, including the Wrapped Reichstag, The Pont Neuf Wrapped, Running Fence in California, and The Gates in New York City ...
Japanese woodblock print showcasing transience, precarious beauty, and the passage of time, thus "mirroring" mono no aware [1] Mono no aware (物の哀れ), [a] lit. ' the pathos of things ', and also translated as ' an empathy toward things ', or ' a sensitivity to ephemera ', is a Japanese idiom for the awareness of impermanence (無常, mujō), or transience of things, and both a transient ...
Ephemeral, by the mid-19th century, began to be used to generically refer to printed items. [3] Ephemera and ephemerality have mutual connotations of "passing time, change, and the philosophically ultimate vision of our own existence". [9] The degree to which ephemera is ephemeral is due in part to the value bestowed upon it.