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Sweep picking is a guitar-playing technique. When sweep picking, the guitarist plays single notes on consecutive strings with a 'sweeping' motion of the pick, while using the fretting hand to produce a specific series of notes that are fast and fluid in sound. Both hands essentially perform an integral motion in unison to achieve the desired ...
Sweep picking involves a continuous "sweep" with the pick across two or more strings (using down-strokes when moving down, and up-strokes when moving up), and is commonly associated with playing arpeggios. To produce a series of distinct notes requires that each note be fretted individually with the fretting hand, rather than held together as a ...
Arpeggios are an important part of jazz improvisation. On guitar, sweep-picking is a technique used for rapid arpeggiation, which is most often found in rock music and heavy metal music. Along with scales, arpeggios are a form of basic technical exercise that students use to develop intonation and technique. They can also be used in call and ...
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Shred guitar is a virtuosic style of electric guitar performance. Categorized by its use of advanced techniques, shredding is a complex art form. Shred guitar includes fast alternate picking, sweep-picking, diminished and harmonic minor scales, tapping, and whammy bar use. [1]
Economy picking is a guitar picking technique designed to maximize picking efficiency by combining alternate picking and sweep picking; it may also incorporate the use of legato in the middle of alternate picking passages as way to achieve higher speed with fewer pick strokes. Specifically:
On the other hand, large arpeggios (especially those spanning more than one octave) are very difficult to play using pure alternate picking and almost impossible to play at great speeds, which is why many guitarists choose to employ sweep picking to play these arpeggios (e.g. Glenn Tipton, K. K. Downing, Frank Gambale & Mario Parga).
This technique is performed by sweep-picking up an arpeggio (or whatever, I like to use whole-tone shapes wich are very hard to arpeggiate, so I throw in a sixth or a fourth here and there), then tapping (with the right hand, obviously) on the next desired note, or possibly notes with the additional fingers.
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