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The statue is a commentary on the damage Euro-American settlement inflicted upon Native Americans. The main figure embodies the suffering and exhaustion of people driven from their native lands. [2] Fraser felt a connection to Native American culture, which influenced the creation of the End of the Trail.
The sculpture's final dimensions are planned to be 641 feet (195 m) long and 563 feet (172 m) high. ... Crazy Horse was a Native American war leader of the Oglala Lakota.
It portrays a Native American on horseback facing skyward, his arms spread wide in a spiritual request to the Great Spirit. It was the last of Dallin's four prominent sculptures of Indigenous people known as The Epic of the Indian , which also include A Signal of Peace (1890), The Medicine Man (1899), and Protest of the Sioux (1904).
A replica of Shrady's statue in Brooklyn, New York City. J.C. Nichols Memorial Fountain, by Henri-Léon Gréber, Country Club Plaza, 1910. Relocated in the 1950s from Harbor Hill in Roslyn, New York. The four equestrian statues may be allegorical figures of major rivers, with the Native American rider representing the Mississippi River.
The Spearman The Bowman. The Bowman and The Spearman, also known collectively as Equestrian Indians, [1] or simply Indians, [2] are two bronze equestrian sculptures standing as gatekeepers in Congress Plaza, at the intersection of Ida B. Wells Drive and Michigan Avenue in Chicago's Grant Park, in the U.S. state of Illinois.
On the War Trail is a 1922 statue by Alexander Phimister Proctor, installed outside the Colorado State Capitol in Civic Center Park, Denver, United States. The bronze sculpture depicts a Native American riding on a horse and carrying a spear. [1]
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