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Hughes has written four books investigating themes that parallel his art. His latest is Paradoxymoron: Foolish Wisdom in Words and Pictures, [14] published in 2011. His other books are Vicious Circles and Infinity: A Panoply of Paradoxes [15] (with artist George Brecht); Upon the Pun: Dual Meaning in Words and Pictures, with Paul Hammond (London, W.H. Allen, 1978); and More on Oxymoron ...
Anamorphic street art by Manfred Stader. While not as widespread in contemporary art, anamorphosis as a technique has been used by contemporary artists in painting, photography, printmaking, sculpture, film and video, digital art and games, holography, [1] street art and installation. The latter two art forms are largely practised in public ...
Perspective images are created with reference to a particular center of vision for the picture plane. In order for the resulting image to appear identical to the original scene, a viewer must view the image from the exact vantage point used in the calculations relative to the image.
In Shifting Images, Joan Semmel paints her body in motion. Layered and blurred compositions, these works suggest instability, movement, and the passage of time; in Semmel's words, “[they] seem to reference the anxious moments of personal lives, as well as … visualize the inevitability of aging.”
Picture of Notre Dame de Reims showing perspective distortion The same picture corrected. Perspective control is a procedure for composing or editing photographs to better conform with the commonly accepted distortions in constructed perspective. The control would: make all lines that are vertical in reality vertical in the image.
The 1961 35 mm f / 3.5 PC-Nikkor lens—the first perspective-control lens for a 35 mm camera. In photography, a perspective-control lens allows the photographer to control the appearance of perspective in the image; the lens can be moved parallel to the film or sensor, providing the equivalent of corresponding view camera movements.
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Reverse perspective, also called inverse perspective, [1] inverted perspective, [2] divergent perspective, [3] [4] or Byzantine perspective, [5] is a form of perspective drawing where the objects depicted in a scene are placed between the projective point and the viewing plane.