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The discography of Death consists of seven studio albums and four live albums. Death was an American death metal band formed in 1984. The band's founder, Chuck Schuldiner, is considered "a pioneering force in death metal". [1] The band ceased to exist after Schuldiner died of brain cancer in 2001, [2] though it remains an enduring death metal ...
Formed out of what would become the Florida death metal scene, Death is considered to be among the most influential bands in heavy metal music and a pioneering force in death metal. The band's 1987 debut album, Scream Bloody Gore, has been widely regarded as one of the first death metal records, alongside the first records from Possessed and ...
Leprosy is the second studio album by Florida death metal band Death, released on November 16, 1988, by Combat Records. [3] [better source needed]The album is notable in its different tone and quality from the band's 1987 debut, and it is the first example of producer and engineer Scott Burns' work heard on many of the death metal and grindcore albums of that era. [4]
Human is the fourth studio album by Florida death metal band Death, released on October 22, 1991, by Relativity Records.This is the only album to feature Cynic members Paul Masvidal on guitar and Sean Reinert on drums, both 20 at the time, and the first to feature bassist Steve DiGiorgio.
Symbolic has received widespread critical acclaim and is regarded by many as being Death’s greatest album, and as being one of the greatest death metal albums of all time. In a contemporary review, Select stated that "there're still lashings of gristly, growling vocals and head-in-the-groin thrashing to be had" as a listener can "snuggle up ...
The band recorded two more albums with co-founder Spider Stacy on lead vocals before disbanding in 1996. In 2001, the classic Pogues lineup reunited, frequently commemorating “Fairytale” with ...
Spiritual Healing has been called Death's "most lyrically dominated album," and is described as a concept album about mental illness and physical disability. [5] It was the first of the band's albums to show Schuldiner's lyrics moving away from the gore and horror themes of the band's previous works (though some tracks do retain the "gratuitous ...
The album solidified Soundgarden’s early reputation as a heavy band, garnering airplay on MTV’s Headbanger’s Ball and their first Grammy nomination (for, somewhat comically, Best Metal ...