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Flow blue (occasionally 'flown blue') is a style of white earthenware, sometimes porcelain, that originated in the Regency era, sometime in the 1820s, among the Staffordshire potters of England. The name is derived from the blue glaze that blurred or "flowed" during the firing process.
Sugar jar "Portman" pattern, 19th century. W H Grindley was an English pottery company that made earthenware and ironstone tableware, including flow blue.The company was founded in 1880 by William Harry Grindley, JP (b. 1859) of Tunstall, Stoke-on-Trent.
Typical "Wedgwood blue" jasperware plate with white sprigged reliefs. Wedgwood pieces (left to right): c. 1930, c. 1950, 1885 Wedgwood is an English fine china, porcelain and luxury accessories manufacturer that was founded on 1 May 1759 [1] by the potter and entrepreneur Josiah Wedgwood and was first incorporated in 1895 as Josiah Wedgwood and Sons Ltd. [2]
As with other factories, a great amount of good quality earthenware was transfer-printed with heavily elaborate designs, mostly in a durable underglaze cobalt blue. Much of this went to the American market, and was given American designs of landscapes (the "Beauties of America" series dates to about 1820) and national heroes.
Blue Ridge china. Blue Ridge is a brand and range of American tableware manufactured by Southern Potteries Incorporated from the 1930s until 1957. Well known in their day for their underglaze decoration and colorful patterns, Blue Ridge pieces are now popular items with collectors of antique dishware. The underglaze technique made the ...
Qingbai ("Blueish-white") glazed bowl with carved peony designs, Jingdezhen, Southern Song, 1127–1279 Early blue and white porcelain, c. 1335, the shape from Islamic metalwork. Jingdezhen porcelain (Chinese: 景德镇陶瓷) is Chinese porcelain produced in or near Jingdezhen in Jiangxi province in southern China.
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The Blue Onion pattern was designed by Johann Gregor Herold in 1739 likely inspired by a Chinese bowl from the Kangxi period. The pattern it was modelled after by Chinese porcelain painters, featured pomegranates unfamiliar in Saxony, so the plates and bowls produced in the Meissen factory in 1740 created their own style and feel.
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