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The English word epic comes from Latin epicus, which itself comes from the Ancient Greek adjective ἐπικός (epikos), from ἔπος (epos), [3] "word, story, poem." [ 4 ] In ancient Greek , 'epic' could refer to all poetry in dactylic hexameter ( epea ), which included not only Homer but also the wisdom poetry of Hesiod , the utterances ...
However, the nebulous definitions assigned to even the long-standing ancient epics due to their ubiquitous presence across vastly differing cultures and traditions, are still a topic of discourse for today's literary academics, and have caused lingering difficulties in creating a definitive definition for the umbrella term of “epic” as a genre.
A thesaurus (pl.: thesauri or thesauruses), sometimes called a synonym dictionary or dictionary of synonyms, is a reference work which arranges words by their meanings (or in simpler terms, a book where one can find different words with similar meanings to other words), [1] [2] sometimes as a hierarchy of broader and narrower terms, sometimes simply as lists of synonyms and antonyms.
Epic, a telecommunications company owned by Monaco Telecom. Epic (Cyprus), a telecommunications provider in Cyprus, formerly MTN Cyprus Epic (Malta), a telecommunications provider in Malta, formerly Vodafone Malta
English-language haiku: an unrhymed tercet poem in the haiku style. Lekythion : a sequence of seven alternating long and short syllables at the end of a verse. Landay : a form of Afghani folk poetry that is composed as a couplet of 22 syllables.
Synonym list in cuneiform on a clay tablet, Neo-Assyrian period [1] A synonym is a word, morpheme, or phrase that means precisely or nearly the same as another word, morpheme, or phrase in a given language. [2] For example, in the English language, the words begin, start, commence, and initiate are all synonyms of one another: they are ...
The Epic of Gilgamesh (/ ˈ ɡ ɪ l ɡ ə m ɛ ʃ /) [2] is an epic from ancient Mesopotamia.The literary history of Gilgamesh begins with five Sumerian poems about Gilgamesh (formerly read as Sumerian "Bilgames" [3]), king of Uruk, some of which may date back to the Third Dynasty of Ur (c. 2100 BCE). [1]
The relevance and acceptability of the lyric in the modern age was, though, called into question by modernist poets such as Ezra Pound, T. S. Eliot, H.D., and William Carlos Williams, who rejected the English lyric form of the 19th century, feeling that it relied too heavily on melodious language, rather than complexity of thought. [29]: 49