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Frantz Omar Fanon was born on 20 July 1925 in Fort-de-France, Martinique, which was then part of the French colonial empire.His father, Félix Casimir Fanon, worked as a customs officer, while Fanon's mother, Eléanore Médélice, who was of Afro-Caribbean and Alsatian descent, was a shopkeeper. [17]
A Dying Colonialism (French: L'an V de la révolution algérienne) is a 1959 book by the psychiatrist Frantz Fanon, in which the author provides an account of the Algerian War. The book details cultural and political changes that emerge due to the rejection of French colonial oppression by the Algerian.
The Wretched of the Earth (French: Les Damnés de la Terre) is a 1961 book by the philosopher Frantz Fanon, in which the author provides a psychoanalysis of the dehumanizing effects of colonization upon the individual and the nation, and discusses the broader social, cultural, and political implications of establishing a social movement for the decolonisation of a person and of a people.
Black Skin, White Masks (French: Peau noire, masques blancs) is a 1952 book by philosopher-psychiatrist Frantz Fanon.The book is written in the style of autoethnography, with Fanon sharing his own experiences while presenting a historical critique of the effects of racism and dehumanization, inherent in situations of colonial domination, on the human psyche.
In a new age of revolutionary protest, the late radical theorist Frantz Fanon is ever-present. Adam Shatz uncovers his actual life in 'The Rebel's Clinic'
Frantz Fanon's Marxist writings on imperialism, racism, and decolonizing struggles have influenced post-colonial discussions about the internalization of colonial prejudice. Fanon first tackled the problem of, what he called, the "colonial alienation of the person" [11] as a mental health issue through psychiatric analysis. [12]
Toward the African Revolution (French: Pour la Revolution Africaine) is a collection of essays written by Frantz Fanon, which was published in 1964, [1] after Fanon's death. The essays in the book were written from 1952 to 1961, between the publication of his two most famous works, Black Skin, White Masks and The Wretched of the Earth .
In this book, Fanon discusses the logic of colonial rule from the perspective of the existential experience of racialized subjectivity. Fanon treats colonialism as a total project which rules every aspect of colonized peoples and their reality. Fanon reflects on colonialism, language, and racism and asserts that to speak a language is to adopt ...