Search results
Results from the WOW.Com Content Network
Sindhi poetry and satire evolved. Baktar Jiramdas wrote: [The] Sindhi language was made as a source for Islamic preaching. Apart from this, natural Sindhi poetry also started to set evolutionary goals. In the Arabic books, there is also this unprovenness. From what I know, at that time there was a satirical language and there was literature in it.
Shaikh Ayaz SI (Sindhi: شيخ اياز , Urdu: شیخ ایاز) born Mubarak Ali Shaikh (Sindhi: مبارڪ علي شيخ , Urdu: مبارک علی شیخ) (March 1923 – 28 December 1997) was a Sindhi language poet, prose writer and former vice-chancellor of University of Sindh. [2]
Sindhi is one of the major oldest languages of the Indus Valley, having a peculiar literary colour both in poetry and prose. Sindhi poetry is very rich in thought and contain a variety of genres, like other developed languages. Old Sindhi poetry impacts upon contemporary languages and also accepts the healthy influence of some languages like Hindi.
This is a list of Sindhi language poets. This is a dynamic list and may never be able to satisfy particular standards for completeness. You can help by adding missing items with reliable sources .
Ustad Bukhari (Sindhi: اُستاد بُخارِي) Urdu (استاد بخاری) (16 January 1930 – 9 October 1992), born "Punhal Shah", a name he later changed to Syed Ahmed Shah Bukhari, was a prominent progressive Sindhi-language poet of Sindh, Pakistan.
Shah Jo Risalo (Sindhi: شاھ جو رسالو) is a book of poems of the Sindhi Sufi mystic and poet Shah Abdul Latif Bhittai.Shah Abdul Latif's poetry was transmitted orally during his lifetime and compiled after his death and designated as Shah Jo Risalo or Poetry of Shah.
Shah Abdul Latif Bhittai (Sindhi: شاه عبداللطيف ڀٽائي ; 1689/1690 – 21 December 1752), commonly known by the honorifics Lakhino Latif, Latif Ghot, Bhittai, and Bhit Jo Shah, was a Sindhi Sufi mystic and poet from Pakistan, widely considered to be the greatest poet of the Sindhi language.
Shah Ïnayatullah was a classical poet in as much as he used the classical Sindhi idiom and employed the classical forms of Sindhi bait and waee or kafi in his poetry. Yet he heralded a new era in the domain of Sindhi poetry by combining the poetic contents of the age-old bardic tradition and the more cultivated spiritual thought of the Sufi-saint poets.