Search results
Results from the WOW.Com Content Network
Many Symbolist poets, including Stéphane Mallarmé and Paul Verlaine, published early works in Le Parnasse contemporain, the poetry anthologies that gave Parnassianism its name. But Arthur Rimbaud publicly mocked prominent Parnassians and published scatological parodies of some of their main authors, including François Coppée ...
Henri-François-Joseph de Régnier (French pronunciation: [ɑ̃ʁi fʁɑ̃swa ʒozɛf də ʁeɲe]; 28 December 1864 – 23 May 1936) was a French symbolist poet, considered one of the most important of France during the early 20th century.
Verlaine's birthplace in Metz, today a museum dedicated to the poet's life and artwork. Paul-Marie Verlaine (/ v ɛər ˈ l ɛ n / vair-LEN; [1] French: [pɔl maʁi vɛʁlɛn]; 30 March 1844 – 8 January 1896) was a French poet associated with the Symbolist movement and the Decadent movement.
In his introduction, Goffin described the poem's similar leaning towards the obscurity and complexity of Stéphane Mallarmé's poetic soliloquies, "Hérodiade" and "L'après-midi d'un faune", and its anticipation of La Jeune Parque, Paul Valéry's Symbolist masterwork in the same form, published a decade after van Lerberghe's death.
Paul Fort was born in Reims, Marne département, France in 1872.His father, an insurance agent, moved the family to Paris in 1878. While attending secondary school at the Lycée Louis-le-Grand, he became a noted part of the artistic community of Montparnasse.
Jules Laforgue (French: [ʒyl lafɔʁɡ]; 16 August 1860 – 20 August 1887) was a Franco-Uruguayan poet, often referred to as a Symbolist poet. Critics and commentators have also pointed to Impressionism as a direct influence and his poetry has been called "part-symbolist, part-impressionist". [1]
Germain Nouveau was born on 31 July 1851 in Pourrières, Var, in France.He was one of four children of Felicien Nouveau (1826–1884) and Marie Silvy (1832–1858). His mother died before he was seven years old, and he was raised by his grandfather.
The transition to a more radical form of poetry seems to have taken place in 1913–1915, during the periods when Tzara and Vinea were vacationing together. The pieces share a number of characteristics and subjects, and the two poets even use them to allude to one another (or, in one case, to Tzara's sister). [196]