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A scene from act four of La Thébaïde by French artist Jean-Guillaume Moitte, engraved by A. Duval, 1801.. La Thébaïde (The Thebaid, The Thebans or The Theban Brothers) is a tragedy in five acts (with respectively 6, 4, 6, 3 and 6 scenes) in verse by Jean Racine first presented, without much success, on June 20, 1664, at the Palais-Royal in Paris. [1]
Antigone (Greek: Aντιγόνη, Antigone) is a 1961 Greek film adaptation of the Ancient Greek tragedy Antigone by Sophocles.It stars Irene Papas in the title role and was directed by Yorgos Javellas, who also adapted the play for the film.
Redhead (German: Die Rote, Italian: La rossa) is a 1962 West German-Italian drama film directed by Helmut Käutner. [1] It was entered into the 12th Berlin International Film Festival . [ 2 ]
An adaptation of the ancient Greek play Antigone by Sophocles, the film transposes the story to a modern-day refugee family in Montreal. The cast includes Nahéma Ricci as Antigone, with Rawad El-Zein, Hakim Brahimi, Rachida Oussaada, and Nour Belkhiria. It was filmed in Greater Montreal in 2018.
Redhead is a musical with music composed by Albert Hague and lyrics by Dorothy Fields, who with her brother, Herbert, along with Sidney Sheldon and David Shaw wrote the book/libretto. Set in London in the 1880s, around the time of Jack the Ripper , the musical is a murder mystery in the setting of a wax museum .
Creon, Antigone's uncle and newly appointed King of Thebes, buries Eteocles, who fought on the Theban side of the war, hailing him as a great hero. He refuses to bury Polyneices, proclaiming that any who attempt to defy his wishes will be made an example of, on the grounds that he was a 'traitor' fighting on the opposing side in the war.
Oedipus Rex is a 1957 film, a film version of the Canadian Stratford Festival production of the William Butler Yeats adaptation of the play Oedipus Rex by Sophocles. [ 2 ] [ 3 ] The actors performed wearing masks designed by Tanya Moiseiwitsch , [ 4 ] as was the practice in Ancient Greek theatre .
The entire second part of the film is faithfully adapted from Sophocles' play Oedipus Rex. Much of the dialogue is taken straight from Sophocles. The first half depicts the events leading up to the play and is Pasolini's depiction of them with his own poetic style. The beginning and end of the film in 1920s Italy is an invention of Pasolini.