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In 2001, Marshall reissued many of its earlier amplifiers, such as the Model 1959-SLP, which is designed to be a reissue of the late-1960s era "Plexi" amplifier, but which are in reality reissues of the post-1973 Super Lead models in that they use printed circuit boards internally to reduce manufacturing cost. The original design utilised hand ...
The 1959 (Marshall's identifying numbers are not years of manufacture), produced from 1965 to 1976 (when it was replaced by the 2203 "Master Volume"), [1] is an amplifier in Marshall's "Standard" series. [2] It was designed by Ken Bran and Dudley Craven after The Who's guitarist Pete Townshend asked Marshall for a 100 watt amplifier. [3]
This article lists manufacturers of bass amplifiers, loudspeakers, and other amplification-related items such as preamplifiers. The amplifiers and loudspeakers used to amplify bass instruments (e.g., the bass guitar, double bass and similar instruments) are distinct from other types of amplification systems due to the particular challenges associated with low-frequency sound reproduction.
The Marshall Major (Model 1967 [1]) was a bass guitar amplifier made by Marshall. It was introduced in 1967 as the "Marshall 200" (in reference to the power of the amplifier). It had a plexi panel and two inputs in one channel, but in contrast with the 100 watt heads made by Marshall, the first series had split tone controls similar to the ...
It is a 50-watt, class-AB amplifier, meant to “create an idealized (Marshall) ‘Plexi’ tone". [20] As a “subtle homage” to the Plexi, the Flexi's faceplate is gold Plexiglas. [20] Like its predecessors, the Flexi-50 was designed to take the same range of vacuum tubes that the UniValve and BiValve-30 can. However, the Flexi is not self ...
Average mortgage rates are edging down moderately week over week of Monday, January 6, 2024, though remain at elevated levels for benchmark 30-year and 15-year fixed terms, this despite three back ...
The YBA-1 "Bass Master" circuit is very similar to the Fender Bassman, which in turn inspired the classic Marshall 1959 "Plexi" amplifier. [7] The column loudspeakers were designated "YSC-1" and two additional models were created: the "YSC-2" with fewer, larger drivers to obtain more low-frequency bass extension and the "YSC-3" which was a cut ...
Trower uses between one and three 100-watt Marshall heads with four to six cabinets on stage. While he usually uses two JCM 800s and a JCM 900, he also links 100-watt Marshall Plexi heads. In studio sessions, Trower uses a mix of amplifiers, such as a Fender Blues Junior and Cornell Plexi Amplifiers models to acquire different tonality.
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