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Guilherme Montenegro. "Besides playing, we have to teach": pedagogical dimensions in the actuation of the collaborative pianist. Scotland, Glasgow: Proceedings of the 32nd ISME World Conference, 2016. _____. "The collaborative pianist and his modes of being and acting: an interview study with professionals in a Brazilian music school".
Mozart's Piano Sonata, K 545 opening. The right hand plays the melody, which is in the top stave. The left hand plays the accompaniment part, which is in the lower stave. In the first bar of the accompaniment part, the pianist plays a C Major chord in the left hand; this chord is arpeggiated (i.e., a chord in which the notes are played one after the other, rather than simultaneousl
Martin Katz (born November 27, 1945) [1] is an American pianist, educator and conductor, primarily known for his work as an accompanist.. Katz was trained as a collaborative pianist by Gwendolyn Koldofsky at the Thornton School of Music, part of the University of Southern California; where he was a member of the USC's music fraternity Phi Mu Alpha Sinfonia.
David William Garvey (March 13, 1922 – February 14, 1995) [2] was an American pianist and academic. He is known as the regular accompanist of Leontyne Price and other performers, including violinists Itzhak Perlman , Michael Rabin and Wanda Wiłkomirska .
Ken Noda (born October 5, 1962) is an American concert pianist, accompanist, vocal coach, and composer. He began composing music and performing as a concert pianist before the age of 11. He has performed with symphony orchestras throughout the world, and has composed numerous art songs and five operas.
The term piano duo can refer both to a genre of music, written for two pianists to play at either one or two pianos, or to the two pianists themselves. This is a list of notable performers who appeared as piano duos in classical music. Most of these pianists performed works for piano four-hands (two pianists at one piano; also known as piano ...
Kathleen Kelly is an American conductor, coach, and collaborative pianist. She has worked with the world's leading opera companies and young artist programs, including The Metropolitan Opera, the Vienna State Opera, Glimmerglass Opera, and San Francisco Opera, among others.
Eschewing the art-music world, Harnell sought work in pop and jazz, working as a for-hire pianist after returning to New York City in 1950. He played in Lester Lanin's band at this time and found work as an accompanist for singers such as Judy Garland, Maurice Chevalier, and Marlene Dietrich. [4]