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Crossing the Bar" is an 1889 elegiac poem by Alfred, Lord Tennyson. The narrator uses an extended metaphor to compare death with crossing the " sandbar " between the river of life, with its outgoing "flood", and the ocean that lies beyond death , the "boundless deep", to which we return.
The Well Wrought Urn: Studies in the Structure of Poetry by Cleanth Brooks and Paul Rand. Harcourt, Brace 1975 ISBN 9780156957052 "Review of Poems, in Two Volumes by Francis Jeffrey, in Edinburgh Review, pp. 214–231, vol. XI, October 1807 – January 1808; Composed upon Westminster Bridge, September 3, 1802 in audio on Poetry Foundation
Lucky it was for the poor farmer that the river Doon was so near, for notwithstanding the speed of his horse, which was a good one, against he reached the middle of the arch of the bridge and consequently the middle of the stream, the pursuing, vengeful hags were so close at his heels, that one of them actually sprung to seize him: but it was ...
Beyond the town the bridge over the river still exists and the river symbolizes time and timelessness, healing and the natural cycle of life and death. Nick is on a journey, perhaps he sees it as a religious quest given the Christian symbolism of the fish. [59] From the town, a road leads into pristine back-country.
She wrote over 7,501 poems; 5,000 essays; and published thirteen books. She was renowned beyond the South; her poem "The Bridge Builder" was often reprinted. It remains quite popular. The final stanza of the poem appears on a plaque at the Bellows Falls, Vermont Vilas Bridge, spanning the Connecticut River between southern Vermont and New ...
In the town of New Cumnock in East Ayrshire there is a bridge across Afton Water on the A76 upon which there is a plaque commemorating Robert Burns and his poem. The River Afton of New Cumnock gives its name to Glen Afton through which the river runs, which has connections with William Wallace , Robert the Bruce , Mary Queen of Scots (1568 ...
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First edition (publ. Black Sun Press) The Bridge, first published in 1930 by the Black Sun Press, is Hart Crane's first, and only, attempt at a long poem. (Its primary status as either an epic or a series of lyrical poems remains contested; recent criticism tends to read it as a hybrid, perhaps indicative of a new genre, the "modernist epic."