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"Bristol Stomp" is a song written in 1961 by Kal Mann and Dave Appell, two executives with the Cameo-Parkway record label, for The Dovells, a doo-wop singing group from Philadelphia, Pennsylvania, who recorded it for Cameo-Parkway late that year. Appell also produced and arranged the track and his Cameo-Parkway's house band served as the studio ...
The Dovells first national hit was "Bristol Stomp", a dance song [1] which was followed by a similar hit "Do the New Continental" (in the John Waters movie Hairspray). "Bristol Stomp" sold over one million copies and won a gold disc. [2] They appeared performing both songs in the Chubby Checker movie called Don't Knock the Twist in 1961.
"Bristol Stomp" sold over one million copies and was awarded a RIAA gold disc. [4] As a Dovell, he also toured with James Brown . Barry also made film appearances with the Dovells in films such as Don't Knock the Twist and toured the UK with the Motown Revue.
In 1961, the Dovells reached #2 on the Billboard Hot 100 with a song called "The Bristol Stomp", which refers to Bristol, Pennsylvania, and includes the line "We ponied and twisted and we rocked with Daddy G". Since Gene Barge had earlier co-written "A Night With Daddy 'G' - Part 1" and "A Night With Daddy 'G' - Part 2" (Legrand LEG 1004), many ...
The vocal group the Dovells, which featured Len Barry as the lead singer, released "Bristol Stomp", which reached No. 2 in late 1961, followed by "Bristol Twistin' Annie," "(Do The New) Continental," "Hully Gully Baby" and other dance-related songs in 1962 and 1963.
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In 1961, Bristol Borough gained national attention when the song "Bristol Stomp", by The Dovells hit #2 on the Billboard pop chart. The song remains a local favorite, and it is often played at ceremonies, parades, and sporting events.
In their review of the film for Turner Classic Movies, critic John M. Miller wrote that "No matter how trite or inconsequential the plot, every Katzman-produced exploitation musical is invaluable for capturing obscure recording artists of the era in their prime," noting that the "slick pop numbers [of Dana and Scott] serve as a reminder that many of the chart toppers of the period were soon ...