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PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
The Yamaha PM1000 mixing console was a significant product in the professional audio industry because of its many advanced features and reasonable price. Introduced in 1974 it incorporated many innovative features such as a modular design using channel strips and output strips, a 4 bus design, and an output matrix mixer .
The (American version) radio's main receiver covers 30 kHz through 60 MHz, 142 MHz through 152 MHz, and 420 through 450 MHz (plus 1240 through 1300 MHz with the "X" model). The sub-receiver tunes between 118 and 174 MHz, and from 220 to 512 MHz (VFO ranges).
An audio/video receiver (AVR) or a stereo receiver is a consumer electronics component used in a home theater or hi-fi system. Its purpose is to receive audio and video signals from a number of sources, and to process them and provide power amplifiers to drive loudspeakers , and/or route the video to displays such as a television , monitor or ...
Yamaha Corporation (ヤマハ株式会社, Yamaha Kabushiki gaisha, / ˈ j ɑː m ɒ ˌ h ɑː /; Japanese pronunciation:) is a Japanese musical instrument and audio equipment manufacturer. It is one of the constituents of Nikkei 225 and is the world's largest musical instrument manufacturing company.
GNSS receivers are sold as portable devices, and are also incorporated in cell phones, vehicles and weapons, even artillery shells. VOR receiver - navigational instrument on an aircraft that uses the VHF signal from VOR navigational beacons between 108 and 117.95 MHz to determine the direction to the beacon very accurately, for air navigation.
Receiver manufacturers who include HD Radio pay a royalty, which is the main reason it failed to be fully-adopted as a standard feature. [ 14 ] If the HD receiver loses the primary digital signal (HD‑1), it reverts to the analog signal, thereby providing seamless operation between the newer and older transmission methods.
A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
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