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Self-portrait by Mir Sayyid Ali, Los Angeles County Museum of Art, 1550 Mir Sayyid Ali (Persian: میرسید علی, Tabriz, 1510 – 1572) was a Persian miniature painter who was a leading artist of Persian miniatures before working under the Mughal dynasty in India, where he became one of the artists responsible for developing the style of Mughal painting, under Emperor Akbar.
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Mir Sayyid Ali, the prophet Elias rescuing Prince Nur ad-Dahr from drowning in a river, from the Akbar Hamzanama. The Akbar Hamzanama (also known as Akbar's Hamzanama) is an enormous illustrated manuscript, now fragmentary, of the Persian epic Hamzanama commissioned by the Mughal emperor Akbar around 1562.
The huge scale of the work, which consisted of 759 pages total including 258 miniatures, would have required help from all the leading artists of the royal workshop. Some of the artists identified are Mir Sayyid Ali, Sultan Mohammad, Mizra-Ali (son of Sultan Mohammad) [23] Aqa Mirak, Mir Musavvir, Dust Muhammad, and likely Abd al-Samad. [24]
The Persian master artists Abd al-Samad and Mir Sayyid Ali, who had accompanied Humayun to India in the 16th century, were in charge of the imperial atelier during the formative stages of Mughal painting. Many artists worked on large commissions, the majority of them apparently Hindu, to judge by the names recorded.
This greatly disrupted the arts, with many painters such as Abd al-Samad and Mir Sayyid Ali moving to India to develop the Mughal miniature instead; these two were the trail-blazers, headhunted by the Mughal Emperor Humayun when he was in exile in 1546. Others found work at the provincial courts of Tahmasp's relations. [86]
Tutinama (Persian: طوطینامه), literal meaning "Tales of a Parrot", is a 14th-century series of 52 stories in Persian.The work remains well-known largely because of a number of lavishly illustrated manuscripts, especially a version containing 250 miniature paintings commissioned by the Mughal Emperor Akbar in the 1550s.
Mir Musavvir (fl. 1510–48, died 1555) was a Persian painter at the Safavid court at Tabriz and later the Mughal court at Kabul. During his time at the royal Safavid workshop, he contributed to the Shahnameh of Shah Tahmasp. He was the father of Mir Sayyid Ali, who adopted his occupation of painting. [1]: 51 Mir Musavvir moved to Tabriz from ...
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